A Quote by Michelangelo Antonioni
A scene has to have a rhythm of its own, a structure of its own.
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In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending.
I don't want words that other people have invented. All the words are other people's inventions. I want my own stuff, my own rhythm, and vowels and consonants too, matching the rhythm and all my own.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
So, we just kind of created our own thing and that's part of the beauty of Athens: is that it's so off the map and there's no way you could ever be the East Village or an L.A. scene or a San Francisco scene, that it just became its own thing.
I'm inspired by anyone who's honest in their own expression, people who truly beat to the rhythm of their own drum.
Every land has its own special rhythm, and unless the traveler takes the time to learn the rhythm, he or she will remain an outsider there always.
Only man is permitted to live without rhythm in order that he can become free. However, he must of his own accord bring rhythm again into the chaos.
I also like to follow nature's rhythm. In times or places, they have their own rhythm. So you cannot push it. So we must accept that as well. Wherever we're born at this time, we just live it.
When I watch students make particular decisions about language, structure, and form, it sharpens my own thinking and my own development as a writer.
I hate click tracks. I'm to busy in the click track to feel my own heart rhythm, my own soul beat.
The hero surviving his own murder, his own suicide, his own addiction, surviving his own disappearance from the scene
I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.
It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know.
For me, every sound has its own minute form - is composed of small flashing rhythms, shifting tones, has momentum, comes, vanishes, lives out its own structure.
Texas is really special in that we have our own music scene, our own music chart. It's almost a genre on its own. It feels like you can make a great living just touring the state because it's so big, but eventually, I wanted a new challenge.
Sure there are people who do everything "I do my own beats, my own lyrics, my own mixing, my own mastering, my own art, my own booking, my own managing, my own merch" it's like... ya that sucks, it can't be very good for you, and might be why you aren't getting ahead because you really need to focus on the music where others should be focusing on those other aspects.
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