A Quote by Michelle Dean

Most academic historians accept that historians' own circumstances demand that they tell the story in a particular way, of course. While people wring their hands about 'revisionist' historians; on some level, the correction and amplification of various parts of the past is not 'revisionism' as it is simply the process of any historical writing.
Biographers use historians more than historians use biographers, although there can be two-way traffic - e.g., the ever-growing production of biographies of women is helping to change the general picture of the past presented by historians.
Historians of a generation ago were often shocked by the violence with which scientists rejected the history of their own subject as irrelevant; they could not understand how the members of any academic profession could fail to be intrigued by the study of their own cultural heritage. What these historians did not grasp was that scientists will welcome the history of science only when it has been demonstrated that this discipline can add to our understanding of science itself and thus help to produce, in some sense, better scientists.
I think poets tell better history than historians. Historians lie all the time but the poets can get to truth of it.
Historians tell the story of the past, novelists the story of the present.
At BYU, I discovered history, then historiography. I became fascinated with the study of historians and historical trends, with the idea that the way we remember the past changes and shifts with our own preoccupations.
I have a hard time with historians because they idolize the truth. The truth is not uplifting; it destroys. I could tell most of the secretaries in the church office building that they are ugly and fat. That would be the truth, but it would hurt and destroy them. Historians should tell only that part of the truth that is inspiring and uplifting.
Over the past 40 years, the tradition of Southern progressivism has been somewhat successfully erased by right-wing revisionist historians.
That is what we have in revisionist historians. It starts with their own atheism, their own unbelief, and then they go back and attempt to revise and rewrite history in their own image.
Historians will consider this a dark age. Science historians can read Galileos technical correspondence from the 1590s but not Marvin Minskys from the 1960s.
The beauty of history is that historians have the ability to find patterns, the big picture. When you make a movie, you try to find that. I'm doing in the cinema what historians try to do in their own media.
The past in the hands of historians is not what it was.
For Krishna to be such an international icon, so to speak, means there are various perspectives on him. Saints, philosophers and historians have their own take on him. While reading about their perspectives, a story took form in my mind and that's how 'Krishna' happened.
As historians, we spend days in archives, gazing at account books. We train would-be historians in the arts of deciphering letters and documents, early Latin, scribal handwriting, medieval French.
Now, there are some who would like to rewrite history - revisionist historians is what I like to call them.
If physicists could not quote in the text, they would not feel that much was lost with respect to advancement of knowledge of the natural world. If historians could not quote, they would deem it a disastrous impediment to the communication of knowledge about the past. A luxury for physicists, quotation is a necessity for historians, indispensable to historiography.
Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.
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