A Quote by Michelle Glick
I can be out auditioning but a lot of times it's word of mouth more than anything - having worked on other projects with people who might see you and recommend for other projects and vice versa.
Related Quotes
I've done a lot of writing for other people, other projects, and what I tried to do with the music I'm putting out for myself is kind of keep it where I'm doing everything.
'PhotoCard' has 20 times as much code as the sum of 'QuickDraw,' 'MacPaint,' and 'HyperCard.' It is more elaborate and complicated, with all the client and server stuff. It took a lot more of me to do this than other projects, requiring an almost Mother Teresa dedication to do it.
Projects you think are no-brainers stall, and other things see the light of day. You never count anything out.
I wouldn't call myself at all as a crossover artist - I kind of hate that word - but in a way, you need to see me like that, because I'm working in classical music, I'm doing these other projects, and I'm having a rock career at the same time.
Well, what is a relationship? It's about two people having tremendous weaknesses and vulnerabilities, like we all do, and one person being able to strengthen the other in their areas of vulnerability, and vice versa. You need each other. You complete each other, passion and romance aside.
What other people think of me is not my business. What I do is what I do. How people see me doesn't change what I decide to do. I don't choose projects so people don't see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system.
It was actually a lot more helpful to have Calvin Hart, a cop, as my template. He was also my technical advisor on Shaft. This time, I kinda got to go to Jersey City with him, and hang around, and watch him interact with other cops, people in the projects, and see what it means to be him. People call him 'Big Daddy' and he's this larger-than-life hero to a lot of people.
My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.
We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.
I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.
I think one thing that makes me delay projects more than other people is, I see this silver lining in a turn-down. Maybe if I just wrote a script and then pounded my head against all the doors, I would be shooting more films.
Little projects - not feature - film projects - you know, theater things, writing things, and jobs like doing rewriting for money, stuff like that. I don't recommend it. It's not a schedule that I'd want, although it was really good for me in a lot of ways. I became a better writer.
People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
All the projects that coaches go through in the offseason are based on the success other teams had in every area whether it's offense, defense or special teams. What they do is see if they can incorporate anything they see with the people they have.
A Yea might turn in to a Nae and vice versa if a sufficient quantity of wordage was applied. In other talk you argument out until you get the answer you want.
