A Quote by Michelle MacLaren
I always say that AMC hires filmmakers, and they let them be filmmakers.
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The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
I'm influenced by a lot of filmmakers; I like English filmmakers because I feel a kin to them.
A lot of the surreal filmmakers, like David Lynch, Alejandro Jodorowsky, or countless other underground filmmakers... Their sense of explosive images have always dominated their films. It's a way to shock the senses, to make them open themselves.
As it is, I'm happy that the tourism department has sent out word to agencies in Delhi asking them to help filmmakers whenever they want to shoot their film in the capital. At least, they are in favour of the filmmakers.
What I would say to filmmakers, if I may be so bold or so arrogant, is to draw inspiration from other filmmakers, but go to the place in your own gut where everything is nothing. That's a very Zen thing to say, but that place of nothing is where real creativity comes out of.
I don't like it when filmmakers say, 'Just come like this, sir.' I like to experiment with my makeup. I wish more filmmakers let me do that.
The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
The Danish filmmakers are a unique breed of filmmakers, with the Dogme films and Lars von Trier.
I know many filmmakers, and shooting in IMAX is challenging. Filmmakers love the vividness and power of those big images.
'Hunger' definitely changed my life, in terms of being recognized by filmmakers, since that was very much a filmmakers' film.
I think independent filmmakers, documentary filmmakers - they are journalists.
I love mentoring young filmmakers and girl filmmakers.
In Mexico, there are good filmmakers, but they didn't always have the opportunity to show their work. But since 'Amores Perros,' many of these filmmakers had the opportunity to show their films, and they have a newfound energy for cinema.
You go to the movies to be transported. That's the responsibility of filmmakers and the people that hire the filmmakers - to try and find new dreams we can all share together.
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