A Quote by Michelle Phan

When Google reached out to me in 2011, they wanted me to build out their female lifestyle vertical. When they were starting with that initiative, they were giving each production house a million dollars to produce content.
I didn't have a lot of men to ask questions of when I was starting out. There were two female directors people suggested I talk to when I was starting out, and they were Nancy Meyers and Kathryn Bigelow.
I had to beg to get out of my contract with Capitol. They wanted me to work with big producers. I wanted to produce my music, and they weren't having that. I'm sure they were happy to let me go. I just didn't want to do what they wanted me to do.
I got a cable from New York saying that what I'd written about the growth of Soviet agricultural production didn't make sense because the same levels were reached under the czars. I wanted to confirm it, but by then the censors were on to me.
When it turns out that you were supposed to be disclosing all these foreign government donations to the Clinton Global Initiative while you were Secretary of State, and you didn't, and now the Clinton Global Initiative is having to restate their 990s, that doesn't sound very trustworthy to me.
When I was still a student, I came out of a performing arts high school, and the female students who were doing traditional dance and ballet were so beautiful. They were beautiful, starting from their postures.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me, and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
The creators of kids' media had no idea they were leaving out that many female characters. They were in utter shock that the worlds they were creating were so bereft of female presences.
You wouldn't think it would but my parents were really balanced about that. When it came time for me to be out of the house and out on my own they were very supportive.
There were certain people who were out to get me. I know who those people were. They exist, believe me. They know that I know. They spent millions of dollars in order to try to get rid of me. I'm happy they lost most of their money.
When I started wearing makeup, my parents..... were like, 'You're absolutely not wearing it out of the house.' At first, I thought they were not happy with me wearing it, but later on, I realized it was out of fear of me getting bullied and ridiculed in school.
There were so many specific things from high school jazz band that I remembered: the conductor searching out people who were out of tune, or stopping and starting me for hours in front of the band as they watched.
We think the Mac will sell zillions, but we didn't build the Mac for anybody else. We built it for ourselves. We were the group of people who were going to judge whether it was great or not. We weren't going to go out and do market research. We just wanted to build the best thing we could build.
It's easy to be famous today. People pay a million dollars to be recognized, but nobody cares about them. They cared about me because I did things other men were afraid to do. That's why my fans identified with me. They were mostly working-class.
When my TV show was in production, dozens of women asked me out on Facebook. Some were shy about it; some were blatant. Some I knew, some were total strangers. But they went for it.
If I want to pursue the art of painting - or music or writing or sculpture - it requires only my time and a few dollars for materials. If, however, I want to produce a motion picture I have to go out and raise a million dollars!
This site uses cookies to ensure you get the best experience. More info...
Got it!