A Quote by Michelle Rodriguez

Maybe I exclude myself from that genre by not getting dressed up often enough, by acting ghetto most of the time, and running around in sweats and Timberlands. — © Michelle Rodriguez
Maybe I exclude myself from that genre by not getting dressed up often enough, by acting ghetto most of the time, and running around in sweats and Timberlands.
I don't get dressed up every day. I'm very busy. I get really annoyed when people talk about me as a 'fashionista.' I get dressed up when I have to go out. Most of the time, I'm running around in jeans.
Getting all dressed up and putting on fancy clothes - all of that's a great thing, but oddly, it doesn't really have a lot to do with acting most of the time.
In high school I spent most of my time in jeans and T-shirts or Juicy sweats. We're such a laid-back town. I mean, people wore bikinis under their clothes half the time, so you didn't really get dressed up to go to school.
I love getting dressed up in a nice suit every once in awhile, but every day, I'm in jeans or sweats and a T-shirt. I'm not a big fashion-type guy.
I'm actually most comfortable when I'm in a bikini, running around on the beach, like, no makeup. It's really free-feeling, whereas I'm always having to get dressed up and putting makeup on.
If the Negro in the ghetto must eternally be fed by the hand that pushes him into the ghetto, he will never become strong enough to get out of the ghetto.
For me, my entry point, when I was old enough, was the skinhead/suedehead thing, sort of like '70/'71. People didn't have much money - they would save up, or whatever - but everyone always dressed up. You'd go to a dance at the football club on a Thursday night and all of us kids - all of us from maybe like 12 to 16 - were all dressed up.
As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.
I blame myself for not often enough seeing the extraordinary in the ordinary. Somewhere in his journals, Dostoyevky remarks that a writer can begin anywhere, at the most commonplace thing, scratch around in it long enough, pry and dig away long enough, and lo!, soon he will hit upon the marvelous.
Sloth is most often evidenced in busyness ... in frantic running around, trying to be everything to everyone, and then having no time to listen or pray, no time to become the person who is doing these things.
Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he’s been robbed. The fact is that most putts don’t drop, most beef is tough, most children grow up to just be people, most successful marriages require a high degree of mutual toleration, most jobs are more often dull than otherwise. Life is like an old-time rail journey—delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
I am used to doing dramatic work, but its fun to grab a gun, and go running around, getting beat-up. Its fun to do the action stuff, because it is really physical. There is nothing like getting into a character by getting beaten up physically.
I wasn't interested in having to live with a camera - I have a hard enough time getting along with myself. I don't need cameras around and all that action.
I think what I'm after, a lot of the time, is just honesty. What accounts for the fact that the stories we tell ourselves - the story we carry around and think of most often - are the dark ones? Maybe we have to wander around in the darkness to understand it?
Genre fiction was looked at as a ghetto, but I wonder now if realist fiction, sealing itself off in the glum suburbs of a dysfunctional society, denying the use of imagination, was the ghetto.
What I've learned from running is that the time to push hard is when you're hurting like crazy and you want to give up. Success is often just around the corner.
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