A Quote by Mick Napier
Improvisation is the art of being completely O.K. with not knowing what the f— you’re doing
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Improvisation is the art of becoming sound. It is the only art in which a human being can and must become the music he or she is making. Improvisation is the only musical art which predicated entirely on human trust and love.
As the art of reading (after a certain stage in one's education) isthe art of skipping, so the art of being wise is the art of knowing what to overlook.
A lot of improvisation ends up being about just thinking outside of the box in the scene. It's not improvisation as much as it is quickness or making it real.
Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.
I hated improvisation because in my early days as an actor, improvisation meant somebody had just come down from Oxford and they were doing a play above a pub in Kentish Town, and the biggest ego would win.
If being an anti-art artist is difficult, being an anti-art art historian is a hard position indeed. His doctrinal revolutionism brings forth nothing new in art but reenacts upheavals on the symbolic plane of language. It provides the consoling belief that overthrows are occurring as in the past, that barriers to creation are being surmounted, and that art is pursuing a radical purpose, even if it is only the purpose of doing away with itself.
The art of being wise is the art of knowing what to overlook.
Jazz is a music that really allows a person to express his deepest self, his most personal self - Africa being the primary source of jazz. Naturally, improvisation and swing are a part of jazz, improvisation being the key.
If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.
Insanity is knowing that what you're doing is completely idiotic, but still, somehow, you just can't stop it.
For me, some of the key points of drag are knowing who you are, how you want to go about making people happy with your art, and why you're doing what you're doing.
I think you get most of the most interesting work done in fields where people don't think they're doing art but are merely practicing a craft and working as good craftsmen. Being literate as a writer is good craft, is knowing your job, is knowing how to use your tools properly and not to damage the tools as you use them.
The human mind cannot go beyond the gift of God, the Holy Ghost. To suppose that art can go beyond the finest specimens of art that are now in the world is not knowing what art is; it is being blind to the gifts of the spirit.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
Art can mean a lot of things. At the heart of it, art is doing something you really believe in. Like my wife, she volunteers helping underprivileged kids, that's her art. To me, anything that you do that you truly believe in makes you an artist. It doesn't necessarily mean being a painter or a film maker. That's art, but there's more to it than that. As long as you're pouring your heart and soul into what you're doing, that's the weapon.
Knowing isn't doing; doing isn't knowing. Nothing but the knowing and the doing gets it done.
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