A Quote by Mika Brzezinski
Being unemployed has so many real and palpable ramifications but there are also psychological side effects which you can only understand if you've truly lived through it.
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Being unemployed has so many real and palpable ramifications but there are also psychological side effects which you can only understand if youve truly lived through it.
As an actress, you're perpetually about to be unemployed. That fear - when you have two parents who worked 9-to-5 jobs and went through periods of being unemployed - is real. Those were not welcome times in my childhood.
All I'm doing is being authentic and real and singing about the emotions I go through as a human being. I don't think we should be nervous about expressing who we really are when it comes to being a believer but also when it comes to being someone who goes through real life. You have to experience real life before you can understand what it means to really worship.
I think immortality is the passing of a soul through many lives or experiences, and such as are truly lived, used and learned, help on to the next, each growing richer, happier and higher, carrying with it only the real memories of what has gone before.
The participation if women in some armies in the world is in reality only symbolic. The talk about the role of Zionist women in fighting with the combat units of the enemy in the war of 5 June 1967 was intended more as propaganda than anything real or substantial. It was calculated to intensify and compound the adverse psychological effects of the war by exploiting the backward outlook of large sections of Arab society and their role in the community. The intention was to achieve adverse psychological effects by saying to Arabs that they were defeated, in 1967, by women.
Can placebos cause side effects? If so, are the side effects real?
One might think this means that imaginary numbers are just a mathematical game having nothing to do with the real world. From the viewpoint of positivist philosophy, however, one cannot determine what is real. All one can do is find which mathematical models describe the universe we live in. It turns out that a mathematical model involving imaginary time predicts not only effects we have already observed but also effects we have not been able to measure yet nevertheless believe in for other reasons. So what is real and what is imaginary? Is the distinction just in our minds?
As an actress you're perpetually about to be unemployed. That fear - when you have two parents who worked 9-to-5 jobs and went through periods of being unemployed - is real. Those were not welcome times in my childhood. Working 14 hours a day isn't sustainable, but I prefer it to doing fewer films. I might as well be doing the thing that I wanted to do my whole life.
We are aware of yoga only as a technique to gain physical strength, flexibility, or increased health. And indeed these are potent side effects of the practice. But that is what they are: side effects. To focus on these largely insignificant manifestations is to miss the point entirely.
I lived in San Pedro, California, which is, you know, on the west side of California, and it's where many, many Japanese lived.
There are psychological repercussions to illness and we need a little more help to get through the effects not only on the afflicted but on the family. And I think there's even a place for humor in that.
In a way, America's the shadow of everything I do, everywhere I go, everything I carry, no matter if I travel to the ends of the earth. And I live frequently on the spine of the continent, near the Great Divide. Then there's the side of it being the real energy center for a truly post-postmodernist poetry mind, which is also archaic, because we can still be close to the land.
I continually still fight every day for my life, not only still battling mental health problems but battling multiple sclerosis, which also has depression as one of its side effects.
As a child, I read a great many books in which animals and birds played significant roles, not only in the narrative itself, but also in creating the emotional and psychological atmosphere of that narrative - the imaginative furniture, as it were, in which any story unfolds.
If I haven't had any long term psychological side effects from all the things I've already done on this show, this isn't gonna hurt much more.
So many things suddenly made sense for the clowns, for the whole idea. I’d been going through a struggle, particularly after 9/11; I couldn’t figure out what I wanted to say. I still wanted the work to be the same kind of mixture – intense, with a nasty side or an ugly side, but also with a real pathos about the characters – and clowns have an underlying sense of sadness while they’re trying to cheer people up. Clowns are sad, but they’re also psychotically, hysterically happy.
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