A Quote by Mike Bartlett
I don't care more about '13' because it's in the Olivier than I did about 'Cock' in a 100-seat studio. They both matter because it's still a person sat there watching your play. And the play has to be good enough - because there are a hundred other writers out there who deserve to have their play on instead.
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This is the greatest thing about sports - you play to win the game. Hello? You don't play to just play it. When you start telling me it doesn't matter, then retire, get out, because it matters.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
It doesn't matter who you play against in midfield, you need to try to come out on top and more often than not when a team wins a midfield battle they normally have a good chance of winning the game because that's where a lot of the play goes through.
I do not care what you do, and that is hard for you to hear. Yet do you care what your children do when you send them out to play? Is it a matter of consequence to you whether they play tag, or hide and seek, or pretend? No, it is not, because you know they are perfectly safe. You have placed them in an environment which you consider friendly and very okay.
I think the person I learnt the most from as a coach was Cruyff because he was always talking about tactics - how to play, where to play and when to play. I think that helps a lot of young players, which is good. He was the most important trainer for me.
It's not about, 'Let me play as long as I can so I don't have to grow up.' It's about, 'Let me play as long as I enjoy it,' and when it's time to step away, I can step away gracefully even if I'm still good enough to keep playing, because I'm ready for that next phase.
I was very pleased that the positive things about me and my game outshone the aggressive style of play I use. I would never tone that down, because I believe in that style of play, and I believe that you can play rough on the court and still be a good sport.
You know what I think? Very few people play because they love the game. Most of them play because they make good money. They keep playing because of the money. I could care less about it. If I don't love the game, no check is going to keep me playing.
It's hard because I seek out strong female roles. I turn down a lot of stuff, not because it's not good, but because I don't want to play certain types of characters. I don't like to just play the pretty girl.
Why we play as children is not because it is our work or because it is how we learn, though both statements are true; we play because we are wired for joy, it is imperative as human beings.
A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.
If you don't train in a certain way because you think you won't play, you have to do more in the week to show why you deserve to play.
I find in America, actually, I actually prefer it because it's all about energy. It's all about making everyone feel happy and smiling. In the U.K. sometimes people are a bit too concerned about, 'Did you play that track? Did you play that track?' It's not so much about the music in the U.K.
I miss singles terribly, but it is a choice I make because I don't feel I am good enough anymore. I don't want to be 100 odd in the world and still play for the heck of it.
