A Quote by Mike Binder

Early on, I joined that large group of show business cadets who were 'multi-hyphenates,' 'independents,' 'self produced' or 'alternately financed.' Sometimes, most times, I've had to do it all: raise the money, write the script, produce, direct and act in the film.
Australia, most of the filmmakers there write a film and they direct it. There's a lot of writer/directors there, because nobody wants to write a script and then let it go when they've had that much of a personal investment to it, because you're not getting paid huge amounts of money in Australia to direct.
Most people in the world of comedy at least are multi-hyphenates, so people who direct are also writers.
In Canada, I've had success raising money. I think I was fortunate enough. But today, I would have to write a very, very bad script not to be financed for the next one. I'm assured at least of the next one, but you're always [only] as good as your last film. I think it's true for anyone.
When I was four I joined a group of girls who were talking about their party dresses. I thought they were imagining, so I imagined a fantastic pink velvet dress with lots of jewels. But they were simply describing what they actually wore, and they had utter contempt for my obvious fiction. After that, I never joined a group again.
At 21, right out of college, I had two producers, about my age, who had never produced a show before, and they wanted me to write and produce an hour-long show before I turned 22. Which is a whole lot of work for someone who's just an 'airhead.'
Every actor wants to direct and produce, but I made a conscious decision when I was in college to understand the 'business' of 'show business.'
Sometimes you write music to a script or while a film is being edited. Sometimes I write without seeing any images, but that's rare. The approach is often based on practical decisions, but I'm interested in the narrative and physical space that music can occupy in a film or play.
The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
When I make a film - I direct my own film, I write my own script - that's what I want to hear from the audience. 'Oh, thank you, Jackie!'
[Before I Go To Sleep] script was a great journey with all the twists and turns that were kind of unexpected. I had to finish the script, and I thought if we can emulate this in the film, it's going to be a really good film.
I think three weaknesses have emerged for Hillary Clinton in early states.One is young voters. Another is political independents. He`s winning with independents who show up. But the other one - this is the inverse of what we saw in `08 - working-class white voters. In 2008, they stuck with her all the way.
I have no deep desire to hit the pavement and audition for TV projects or raise money to produce a show.
I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
I would love to write a script where the main character is a woman. I know I can direct a film where the main character is a woman. I cannot write that film.
I won't ever direct a film. And I certainly won't write an autobiography. Only self-obsessed people want to write or talk about themselves!
I'd like to produce, direct, write, score, and star in a film in exactly the way Chaplin did. I'll do that before I'm thirty.
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