A Quote by Mike deGruy

If you're going to make a lot of films about a particular group of animals, you might as well pick one that's fairly common. And octopus are: they live in all the oceans. They also live deep. And I can't say octopus are responsible for my really strong interest in getting in subs and going deep, but whatever the case, I like that.
With the exception of octopus, I don't think I've met any food that I didn't like. And by the way, sometimes I do like octopus. I'm just not crazy about it by itself. I love sea urchin. I love uni. If I'm going to die of anything, it's going to be gluttony.
We split from our common ancestor with the octopus half a billion years ago. And yet, you can make friends with an octopus.
It's better to be an octopus than a fish. If an octopus loses a tentacle to a predator, the octopus will survive with seven tentacles left for itself.
I heard one story about an octopus in a home tank who would get out, cruise around the house, take knick-knacks, and drag them back to its tank. Like a dog! They're so smart that there are octopus enrichment handbooks so you don't bore your octopus. I've seen them play with Legos, Mr. Potato Head, you name it!
Sometimes I pretend to be an octopus. But then people are like ‘Darren what’re you doing?’ And I just sit there and laugh because they’re not cool enough to be an octopus and I’m just like ‘Hah you’re just jealous because you’re not an octopus.’
I'd like to write about whatever is going on with me at that point of time or situations I'm - which I'm sure a lot of people can relate with. I mean, I'm a deep person. I'd like to dig deep into the psyche, but at the same time, you make things that are gonna lift everyone up.
I put an octopus in aquarium, and it would eat the others. But if you put an octopus in with a school of tiny fish, he might not be able to catch them. That's an archetypal structure: a powerful individual versus the multitude, the crowd. You can relate to that.
If you go to the octopus, and if you're not too squeamish, dissect it. You'll find that it has a camera eye which is remarkable similar to our own. And yet we know that the octopus belongs to an invertebrate group called cephalopod mulluses, evolutionarily very distant indeed from the chordates to which we belong.
So I wanted to write a play that put some thoughts and feelings in the air about the miracle and the mystery and that alluded to deep and unknown forces. But then really just have people going to the store and fixing the sink and going through the normal things of looking for love and getting up in the morning. Because that's how we live.
I'm not going to be an interpreter at the U.N. I'm not going to live in Africa on a farm or whatever, but I am going to see the world through those eyes when I make those films.
I suspect that any worthwhile exploration of these deep questions about living requires going beyond abstract discussions to the vivid presentation of possibilities. If readers are to be prompted to serious examination of their lives, anatomy isn't enough. We have to be stimulated to imagine, in some detail, what it would be like to live in particular ways.
We believe that we live in the 'age of information,' that there has been an information 'explosion,' an information 'revolution.' While in a certain narrow sense this is the case, in many important ways just the opposite is true. We also live at a moment of deep ignorance, when vital knowledge that humans have always possessed about who we are and where we live seems beyond our reach. An Unenlightenment. An age of missing information.
I think it's really important to love yourself. Because I feel like a lot of the time, especially right now, I've noticed that insecurity is something that's so common that it's not glorified but like romanticized. And it shouldn't be because at the end of the day you have to live with yourself and be happy with who you are. If not, then you're not going to be a happy individual and whatever people say will get to you. So you have to know who you are and like it that way.
A lot of people approach their barn or horse like they are going to war, because it's been going badly. So you pick up the next day in a defensive mode instead of cleaning the slate and starting fresh. Animals live so much in the moment, so if you're bringing baggage from yesterday you're already at a loss. We do that with people too.
I'm interested in what it means to live in America. I'm interested in the kind of country that we live in and leave our kids. I'm interested in trying to define what that country is. I got the chutzpa or whatever you want to say to believe that if I write a really good about it, it's going to make a difference.
There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
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