A Quote by Mike Figgis
I never had any urge or desire to do like a big spectacular movie with thousands and thousands of extras. I'd rather watch paint drying. But put me in a room with three people having a hard time, like a character situation, and then you're into a really intense portraiture kind of concept.
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I really hate misunderstandings - to a degree that it's hard for me to watch sitcoms, or any kind of funny movie where there's, like, this big mishap, or miscommunication. It gives me such anxiety that I almost can't make it through the movie.
Growing up, I was from kind of Nowhere, Maine. And, so, now having thousands of people reaching out to me via social media and thousands of people paying attention to what I say, that's really weird.
Pretty much every issue that we've put out, there have been at least one or two things that really surprised me. It sounds like bullshit, but most of the stories that we've run had that effect on me. We get thousands and thousands of submissions and I don't think we've published a story yet - very few, anyway - where there wasn't something like what Mona Simpson described, where a first sentence or a first page didn't just really command attention.
I have thousands and thousands of people on my payroll. Over the years, I have had tens of thousands of people that work for me. You're picking up one club where it has a high season where it's very, very hard. It's very hard to get people in Palm Beach during the season, during the social season.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
The hocus-pocus phantasm of a God, like another Cerberus, with one body and three heads, had its birth and growth in the blood of thousands and thousands of martyrs.
I hate to paint portraits! I hope never to paint another portrait in my life. Portraiture may be all right for a man in his youth, but after forty I believe that manual dexterity deserts one, and, besides, the color-sense is less acute. Youth can better stand the exactions of a personal kind that are inseparable from portraiture. I have had enough of it.
I like to watch and perform the kind of comedy that comes out of the situation - where the character is really serious and in a tough situation and doesn't realize that the situation is comic.
Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.
Endings are really hard to do, and it's hard to do an ending where it's sort of collaborative with thousands and thousands of people, and to satisfy all those people is impossible.
I guess growing up I realized that there is really this huge epidemic in a city like Los Angeles, and many other cities, where they put down thousands upon thousands of animals every day.
When we gaze at a star in the Milky Way which is 50,000 light-years away from our sun, we are looking back 50,000 years in time." "The idea is much too big for my little head." "The only way we can look out into space, then, is to look back in time. We can never know what the universe is like now. We only know what it was like then. When we look up at a star that is thousands of light-years away, we are really traveling thousands of years back in the history of space.
Writing is a solitary existence. Making a movie is controlled chaos - thousands of moving parts and people. Every decision is a compromise. If you're writing and you don't like how your character looks or talks, you just fix it. But in a movie, if there's something you don't like, that's tough.
From my point of view, what I really like, what I think is really terrific about my work, is that the company's had the opportunity to train literally thousands and thousands of brand new franchisees to successfully run their very first business.
The Internet is like walking into a room in your house you never knew was there and, like, it's full of thousands of people who have been listening to everything you've been doing and saying the whole time! Scary.
I'm close to being a vegan, but I'm not one, technically. I don't eat eggs, or nearly any dairy - no cheese or milk. I do eat honey, and a piece of milk chocolate here and there. It's never really been that hard for me. I've never had any desire to eat meat. In fact, when I was a kid I would have a really difficult time eating meat at all. It had to be the perfect bite, with no fat or gristle or bone or anything like that. I don't judge people who eat meat - that's not for me to say - but the whole thing just sort of bums me out.
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