I do believe there's been a lull of slasher films. There have been a few that I guess would fall under the genre of slasher. Like You're Next, which I thought was fun. There have been a few really good slasher films, but for the most part, that's sort of died away at the moment.
What I like is horror movies, including '80s slasher movies that politically I have all kinds of problems with. Which is an interesting balance, because I have this leftist puritan strain that, well, if you like something that goes against your politics, maybe you should train yourself not to like it. But I know that I like horror movies and that's what I watch when I get a moment.
One of my favorite eras is the '80s. I'm an '80s baby to the world, love everything about the '80s.
Oftentimes when people make movies about the '80s, they go back and look at '80s films, [but] those look nothing like the '80s. It's some watered-down version of reality.
Well, 'They Live' was a primal scream against Reaganism of the '80s. And the '80s never went away. They're still with us. That's what makes 'They Live' look so fresh - it's a document of greed and insanity. It's about life in the United States then and now. If anything, things have gotten worse.
When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.
If you really stop to think about it, the last really big guitar hero was Eddie Van Halen, and that was back in the '80s - early '80s, you know what I mean? That's a long time ago.
When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
You hear about bombings in other countries, or numbers like "10,000 people died" - you hear that number and you think, "Well, I saw that yesterday in a film, and that didn't look so bad." Younger viewers, in particular, lose perspective on reality.
You hear people say, 'Well, I was going to say this, but I knew I couldn't get through it without crying.' Well, like, think of all the great things we didn't hear because of that.
My mom loves the '80s. I grew up hearing a lot about the '80s.
I love the 80s. I always used to watch that VH1 show, 'I Love the 80s,' nonstop. I love the 80s, everything about it, the clothes, the music. Especially the music. The music is so happy. It's great.
Slasher Hathaway marks his territory by spending money. He might as well have pissed on her. It means nothing.
'Family Ties,' to me, was strictly '80s. It was from the beginning of the '80s until the end of the '80s, and it was very specific to that time. Ronald Reagan was president.
I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.
Well, what I love about '80s rock music is the amazing, fantastic melodies.