A Quote by Mike Flanagan

Audiences are savvy. You can never go wrong assuming the best of them. — © Mike Flanagan
Audiences are savvy. You can never go wrong assuming the best of them.
Well, the coffeehouse audiences never know what they're going to get, and all the comics are different, as opposed to when you go to a club, and they're pretty much all telling jokes with set-ups and punchlines. Coffeehouse audiences are the most forgiving: They really listen, which is the best part.
Now we're dealing with a younger generation of terrorists that are very, very savvy with computer skills, very savvy over the Internet, and very savvy with social media of the likes that we have never seen before.
I can't see what's wrong about assuming intelligence in your audience and what's bad news about being rewarded for assuming that.
I think audiences are really savvy and know when we're doing stuff to just shock them versus do stuff that really drives the story.
Assuming audiences to be dumb, that's a big fallacy.
Don't let your fears become boxes that enclose you. Open them out, feel them and turn them into the greatest courage you are capable of. I promise you, nothing will go wrong. But if you live by your fears, everything that can possibly go wrong will go wrong and you won't even have done the 'Funky Chicken'.
Audiences may be stupid, but they are never wrong.
I wished that I...had no savvy at all. No savvy to cause me heartache. No savvy to make me hope, and then leave me useless.
I love graphic novels - I love reading them, I enjoyed writing them, I would love to go back and do them again. I hope I'm savvy enough to do them in the right way.
I used to go to rave parties, too, but I was never savvy with techno.
My business savvy it’s instinct. Everything I do is just really my intuition, and every time I go against my intuition, it’s a mistake. Even though I may sit down and analyze and intellectualize something on paper, if I go against my gut feeling, it’s wrong.
I won't make shorthand films, because I don't want to manipulate audiences into assuming quick, manufactured truths.
In sum, we took energy for granted, assuming when we flipped the switch, the lights would go on and assuming that there would always be plenty of cheap fuel for our vehicles.
It's best to let her go," he says. No, no, that's wrong. It's never right to give up on someone.
I've never been satisfied or even pleased with a film that I've done. I make them, I'm finished, I've never looked at one after. I don't like them because there's a big gap between what you conceive in your mind when you're writing and you don't have to meet the test of reality. You're home, you write and it's funny and beautiful and romantic and dramatic, and then you have to show up on a cold morning, and you don't have enough of this and this goes wrong and you make the wrong choice on something and you screwed up and you can't go back.
When things go wrong or don't turn out the way you pictured them in your head, you just have to go with the best intentions defense. I have a lot of good intentions.
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