A Quote by Mike Flanagan
We're all storytellers in this business, and I personally love to sit back and watch someone tell a story. If it's done well, there's nothing like it. It's pure.
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There's a lot of mythological stories you can tell. There's not just one. I appreciate all of those different kinds, but what I was personally missing was grand, classic, true-north hero. Pure and simple emotion, and also aiming for big time emotion, like love story as well, in a very sincere way. Like 'Superman: The Movie' had done for me.
To be able to sit back and enjoy the game, sit back and watch guys that you know played and you might have worked with it or you personally know, it's cool; it's awesome to sit back and say I know that guy because you're more of a fan of that game and that person.
Uncontainable is a love story. Kip and Sharon's love for each other, their precious family, their business journey of joy and, most of all, their pure and uncontainable love for their employees and their families is clear and happy proof that the future of business is building love cultures. Oh, and when you have love on the inside customers shower uncontainable love back at ya from the outside. Love on brother!
I don't wonder anymore what I'll tell God when I go to heaven when we sit in the chairs under the tree, outside the city........I'll tell these things to God, and he'll laugh, I think and he'll remind me of the parts I forgot, the parts that were his favorite. We'll sit and remember my story together, and then he'll stand and put his arms around me and say, "well done," and that he liked my story. And my soul won't be thirsty anymore. Finally he'll turn and we'll walk toward the city, a city he will have spoken into existence a city built in a place where once there'd been nothing.
All directors are storytellers, so the motivation was to tell the story I wanted to tell. That's what I love.
When you're in the supermarket, you can usually tell straight away when someone recognises you, or they will come up to me and say, 'Well done,' or things like that. So it's nothing sinister or nothing super-crazy.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
The lesson that I would hope everyone would learn quite early in their career is don't take it personally. Whatever it is that happens, you're accepted for a role or rejected for a role of whatever, don't take it personally. It's part of the business and the person that is either hiring or firing-that's their business. That's what they are there for and it has nothing to do with how you feel about ... It has to do with someone else's perception of should you do this particular part, so just don't take it personally,. The business is really about rejection, so don't take it personally.
I think there are people who are born storytellers. I think of someone like T. C. Boyle or Gabriel Garcia Marquez. I think really, without putting any pejorative on it, they're like carnival barkers, 'Come into the tent, and I'll tell you this story.'
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
It's painful for me to watch someone who isn't funny. It's horrifying to sit in the back and watch some guy who just totally sucks.
There are a few reboots I'd love to see that I'd love to have nothing to do with! I'd love to watch just as a viewer. 'Quantum Lea' - someone should bring that back. I'd love to see another 'Star Trek' show on the air. I loved 'Buck Rogers'; someone should do that. But I don't want the responsibility of doing any of those things.
What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.
Technology adds nothing to art. Two thousand years ago, I could tell you a story, and at any point during the story I could stop, and ask, 'Now do you want the hero to be kidnapped, or not?' But that would, of course, have ruined the story. Part of the experience of being entertained is sitting back and plugging into someone else's vision.
When business is not all that it should be there is a temptation to sit back and say, Well, what's the use! We've done everything possible to stir up a little business and there is nothing doing so what's the use of trying! There is always a way. There was a way in and there is a way out. And success comes to the man who grits his teeth, squares his jaw, and says, There is a way for me and, by jingo, I'll find it. The stagnator gathers green scum, finally dries up and leaves an unsightly hollow.
I love talking to people and hearing their stories. Everyone's got their own story to tell, and when you sit down with someone and really talk to them, you can learn so much.
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