A Quote by Mike Flanagan

Audiences have grown to equate being startled with being scared, and will complain that a movie 'isn't scary enough' if it doesn't have enough jump scares... so that means that a lot of studios will insist on shoving jump scares into a movie, regardless of character or story structure, thinking it 'makes it scarier.'
With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.
The real scares on CNN, etc. and the scares in a movie, like 'The Purge,' are totally different. One of the ways you can tell when someone, whether it's a film maker or executive or producer, wants to make a scary movie but doesn't understand that distinction is they'll want to recreate too much of what's on TV.
The key to a good horror movie is what happens between the scares. The scares aren't the tricky part. If you're involved in what's going on in between, the scare is going to trick you. If you're not, the best scare in the world will not be scary.
What scares me is not living up to be a good enough father to my son and letting down my family - not being there enough and not being able to give enough of yourself.
There's a clean simplicity to the plotting of 'Sinister,' whether you like it or not. And the scares are deliberate and even heavy-handed in a way. There's not a lot of sophistication or nuance in the plotting and not much restraint in the scares - and that's a part of what makes the movie accessible.
I hate jump scares. I really hate them. I think there's nothing special about being able to startle someone - that's an involuntary reflex, and it makes people laugh.
Remember when you were a kid, you'd jump on the bed, and you'd have no worries in the world, and you'd just jump on it? The idea of that now scares the hell out of me. I don't even know what would happen.
When I fly in a helicopter, I insist there be two sets of controls, one for me in case something happens to the pilot. I'm no expert, but I know enough to at least get the thing on the ground. Nothing scares me like the thought of not being in control.
I don't want to jump off the roof or jump for joy depending on my movie reviews, or whether it makes money. I think the larger, more meaningful things are family and the people you love.
If someone's different from you and it scares you or makes you mad, that's God telling you to take a closer look. If you're scared or mad, that's about you, not about the person who scares you or angers you.
What scares me? I kind of believe in ghosts. I believe they can wander around, so that scares me. But the stuff that really scares me are the catastrophic events like my husband or children or my family being harmed, or something like that.
Some coaches prefer players who will just do whatever he tells them to. It's like, if you're at school with a load of 10-year-old boys and you tell them to jump, everyone will start to jump. But the intelligent boy will ask, 'Why should I jump? Why?' That can be difficult for a lot of coaches, and I understand that.
Scary is good. Kids like going to a movie and being really scared rather than fake scared.
If an opportunity scares you, that's God's way of saying you should jump at it.
If you don't do the suspense correctly, then your jump scares are not going to work.
I'm a big fan of being scared I like being scared. I like being involved in a film that will make audiences scared, that intrigues me.
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