A Quote by Mike Leigh
I wonder if I would have been capable of producing anything if I worked in a more conventional way with a prewritten script, because I'm of the procrastinator class.
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I grew up thinking that because I couldn't read, I was stupid and would never amount to anything. I worked my way through college as a waitress and thought I wasn't capable of doing anything else. My grades in English were horrible, and I barely got through.
My life, in some ways, has been a half-measure. I didn't commit myself all the way to my marriage and family, because I would have given up more. And I didn't go all the way with just being completely selfish. I always wonder where my career would be if I was more selfish.
I really think if you have a tattoo you have to wonder about what kind of future you have ahead of you. As an employer, I wouldn't employ someone with tattoos as I would wonder what customers would think about them. For me, tattoos are just a way for people to find attention who haven't found another way in their life to achieve it by conventional means.
It's true that the young who now flock to script writing, or producing and directing, to fulfill the demands of these new devices would, in an earlier period, have been submitting to magazines and working on their first novels. But even in the midst of all these "digital products," the wonder of it is that there are still so many young writers who continue to believe in the venerable print novel as the corridor to fame and fortune.
I don't know necessarily that I would produce under my own company right now. Producing is not something that I'm thinking about. Directing is something that I will be doing very shortly, trying to figure out what to get my hands on. And I can't imagine writing a script and wanting to direct it and not having a producing credit, because I would want to have a big chunk of power on that end, if I wrote something.
I have said this on many a previous occasion: that had the mix in Singapore been different, had it been 75% Indians, 15% Malays and the rest Chinese, it would not have worked. Because they believe in the politics of contention, of opposition. But because the culture was such that the populace sought a practical way out of their difficulties, therefore it has worked.
I’ve never agreed with the conventional wisdom that ‘actors are great liars.’ If more people understood the acting process, the goals of good actors, the conventional wisdom would be ‘actors are terrible liars,’ because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What’s called for, what actors are hired for, is to bring reality to the arbitrary.
If I'm a director and I read a script and I say yeah I really want to do this, I would never walk away because the deal wasn't very good - that I wasn't getting paid very much or that the chances that I would see anything on the back end were remote because of the financial waterfall and the way it's structured. I would never use that as a reason not to do something.
I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, "I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?'" So that worked out well.
I'm working class. Not because my family have always been skint or because I'm from the grim north, but because I am from a class of people who believe in work. In paying their way.
I wonder if I would have been less organic of a designer without my background. Maybe I would be more academic about designing, more methodical. I want things to be a certain way, and I'm very precise, but school itself wasn't that relevant for me.
My roots, my background and the way I act is working class, but it would be hypsocritical to say I'm anything else than middle class now.
I would have - I didn't really have to be an athlete. I could have been, you know - worked in fast food, been a janitor, anything. I would have had two or three jobs, working long hours, you know, to support myself and for my family in the future. I would have been successful.
In 2007, I went to work in Beverly Hills as an intern at The Collective, a talent management agency. I'd been scouted for the job because of a blog I'd started in college and because the blogger-turned-author I worked for, Tucker Max, was producing a project with the company.
I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.
I swore I would never do a reality show. I've been offered them for years and years because our family life is a little crazy - I will admit to that. Definitely not the conventional mom or family - or anything, for that matter.
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