A Quote by Mike Leigh
The kind of acting that's wholly literary or cerebral is wrong. It's useless for me to have actors so much in their heads that they can't be organic.
Related Quotes
Much reading is like much eating -wholly useless without digestion.
Much literary criticism comes from people for whom extreme specialization is a cover either for grave cerebral inadequacy or terminal laziness, the latter being a much-cherished aspect of academic freedom.
Much literary criticism comes from people for whom extreme specialization is a cover for either grave cerebral inadequacy or terminal laziness, the latter being a much cherished aspect of academic freedom.
We live in a culture that is much happier talking about organic brain disease than about psychic illness because the former suggests that something that is physically wrong in a brain is wholly unrelated to that person's upbringing or experiences in the world, but that is not necessarily true.
There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
Acting requires emotional flexibility and demands, and directing is more cerebral and managerial and a tactical kind of thing.
The acting I got into by doing what we call pantomime, when I was sixteen. And, there were loads of very pretty girls in the show. I realized; I found out very early on, that the lead comic gets the girl. So, that was cool. When I went to university, I studied Economic Social History. And drama. That kind of got me into it. My main passion was to make films. It was never to be an actor. At that time, there weren't many opportunities for a working class Scottish actor. It was kind of an English thing. And it required a certain mannered cerebral acting style that I couldn't relate to.
I've always loved teaching acting. I think it helps me to kind of get back to basics. It's like a refresher course for me as well, so in a sense, I'm hopefully learning as much as my students are - or at least discovering or re-discovering as much as they are. I find that when I teach, I'm reminded of my own sort of failings. I'm reminded of where I sometimes keep going wrong.
Acting to me is a very organic art form and you just go and do it. And I like to direct the same way that I like to be directed. Let me bring in what I want to bring in, and if something's wrong, just tell me about it and I'll make some corrections or adjustments. And that's what I do.
Daniel Day-Lewis and Sean Penn to me are the two best actors of all time. I'm just glad to have the pleasure to be in an era that they're acting while I'm acting. They're probably the best actors in my mind.
I'm not a huge kind of visual director. For me, it's all about the acting. There's no greater buzz than working with actors and seeing what they can do and how much they can improve on what you'd written. That will always be on the top of my list. It's a real privilege to see it live before anyone else sees it.
The summit charms us, the steps to it do not; with the heights before our eyes, we like to linger in the plain. It is only a part of art that can be taught; but the artist needs the whole. He who is only half instructed speaks much and is always wrong; who knows it wholly is content with acting and speaks seldom or late.
Don't get me wrong, I love literary fiction. It's faux literary fiction I can't stand.
I think good actors are born with a kind of native gift. When you study too much with an acting teacher, that gets taken away. You lose your sense of spontaneity.
I love a certain kind of acting style that I would call non-American, which tends to be more detail-oriented and less externalized. There's a kind of naturalism that I often find in non-American actors. I also find that quality in the American actors I work with, but I like to bring in those influences creatively.
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