A Quote by Mike Leigh
The way an actor is trained doesn't ultimately have much bearing on my work. I'm interested in the actor as artist.
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You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
Age is as much an asset for character players as it is for good wine. Human experiences, both good and bad, leave their marks on one's face and bearing. A few lines on the face and a few gray hairs coupled with the idiosyncrasies an actor adopts throughout life help out round out the actor's personality. So far as I'm concerned, the older a character actor gets, the firmer his position is.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
Ultimately, I think what I want from my career is to be able to create work for myself, and there's only so much you can do as an actor in a movie.
As I grew older, I realised that Bruce Lee was an actor first and a martial artist second. If he wasn't a convincing actor and didn't have the emotion in his eyes before delivering a kick or a punch, it wouldn't have made that much of an impact.
I think that it's much easier for a recording artist to become an actor than for an actor to become a recording artist.
As someone who's never been musically trained, I am sort of used to being in a position where I have to kind of do things on the fly because I wasn't trained as an actor, either, and I've very much learned on the job.
It's important that the actor doesn't feel like they're working in a vacuum. If the actor is told, 'Oh, it's a secret; just play it this way or that way,' it's a bit patronising. I think you have to bring the actor into your thinking and explain things.
I was trained to serve the writer and director as an actor before I serve myself. Not to say that's gotten in my way, but that's a different way of working than most American actors work.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
Well, an actor is an actor is actor, to paraphrase someone or other and the opportunity to work, to have a steady engagement, certainly seemed like an appealing concept to me.
The only way to be an actor is to find ways to work as an actor, even if that means doing a one-man show by a river.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
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