A Quote by Mike Nichols

The thing about being an outsider... is that it teaches you to hear what people are thinking because you're constantly looking for the people who just don't give a damn.
I don't accept 'political rapper' because I don't give a damn about either political party. I give a damn about the people. My rap comes from a sociological standpoint rather than picking a particular side or dogma or ideology. I just want people to be free to do what they want, as long as they don't harm others.
The thing I'm going through is probably like the same thing that Little Richard and all these other artists go through, that I hear about them, saying, 'Oh damn, you ain't gonna give me nothing till I die,' ... I feel like I'm one of those type of great people that just going to have to wait till it's all over with for people to really sit around and talk about it.
You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
I don't accept the term 'political rapper' because I don't give a damn about either political party. I give a damn about the people.
Art - when it is really doing what it should do - teaches abstract thinking; it teaches teamwork; it teaches people to actually think about things that they cannot see.
I enjoy the creative side of the business side of being a restaurateur. That's my thing. The thing I'm constantly thinking about is, how do you create new, interesting situations that keep people coming back?
People don't give a damn about you and they don't give a damn about your story and they don't give a damn about your content. They only give a damn that you, your content, your story can bring value to them.
Because that's what narcissism is all about; looking in the mirror everyday and thinking 'Damn, I'd like to shag myself.'
It's amazing how people can get so excited about a rocket to the moon and not give a damn about smog, oil leaks, the devastation of the environment with pesticides, hunger, disease. When the poor share some of the power that the affluent now monopolize, we will give a damn.
One of the things about being on Twitter, for me, is mostly about just being on the pulse of what people are interested in, what people are doing and what people are looking for. I look at entertainment projects and storytelling and I really try to think about what people want.
One of the things about being on Twitter, for me, is mostly about just being on the pulse of what people are interested in, what people are doing and what people are looking for. I look at entertainment projects and storytelling, and I really try to think about what people want.
Women are constantly taught to think about what other people are thinking, from those 'Jackie' magazine quizzes - 'What's he thinking?' - to being a grown adult.
People don't just get upset. They contribute to their upsetness. They always have the power to think, and to think about their thinking, and to think about thinking about their thinking, which the goddamn dolphin, as far as we know, can't do. Therefore they have much greater ability to change themselves than any other animal has, and I hope that REBT teaches them how to do it.
People are looking for certainty. The more complex the world becomes, the more people look for people to give them certainty and tell them what to do. During the past few years of actively thinking about this, there is one thing that I have accepted: certainty is not out there. There is not one strategy to follow, and that's OK.
If you can sing to a room of 60 people who don't give a damn, then if, someday, you're playing to people who really want to hear your music, that's not hard.
I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?
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