A Quote by Mike Nichols

In a weird way, when I was looking back, I didn't know I was going to be a director until I was. — © Mike Nichols
In a weird way, when I was looking back, I didn't know I was going to be a director until I was.
One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.
Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.
The thing about looking back over Clinton's presidency, and probably anybody's presidency, is that when you look back, the events all line up in a way that makes sense. At the time, you don't know where it's going.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
We were doing Scarface many years ago...and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean. I thought, what's going on? Did some whale get washed up to shore? So I stood up on the table to see what it was, and it was the director, Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.
So while an incredible amount of progress has been made, on this fifth anniversary, I wanted to come here and tell the people of this city directly: My administration is going to stand with you - and fight alongside you - until the job is done. Until New Orleans is all the way back, all the way.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.
Going into my second film as a director, it's night and day of what it was like going into my first film. It doesn't matter what you know in your head and what you've been taught until you're there and doing it; it's a whole new ball game.
You know Hollywood is a weird and wonderful place, I didn't know I Dream of Jeanie had been cancelled after 5 years until I went back to go on the lot to pick up some clothes and things I had in my dressing room.
As first time director, though, you're like a new officer coming up to be in charge of very serious veterans, and you're always going to have guys looking at each other for the first day until they realize you're not screwing around.
Once we got signed, I moved out of my house because I was having teenage issues with my mom. It really wasn't my fault, looking back. You know, I'm gay; it's weird. It was one of the things. She has no problem with me being gay, but she had a problem with me dressing the way I do at first.
You guys know the way I play. And what's so ironic is, KG is the same way. I'm looking at him in practice and going, 'Wow, I'm always that guy,' you know?
I wasn't going to be able to re-grow my ACL back overnight. I was where I was with this and I just had to accept it. I had to stay focused on getting back. Honestly, I kind of felt in a weird way lucky because it was 12 years into my career that this happened.
I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line. It's a weird way to move forward. It's kind of like a way to caterpillar your way through these great woods. The best ones, whatever I feel like I'm writing about, some other secret thing will begin to come into focus.
I know it may be weird that I'm going back to school at a high point of my career, but it's something I've always wanted to do.
This site uses cookies to ensure you get the best experience. More info...
Got it!