A Quote by Mike Nichols
I think a director can make a play happen before your eyes so that you are part of it and it is part of you. If you can get it right, there's no mystery. It's not about mystery. It's not even mysterious. It's about our lives.
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I've done an incredible amount of painters. It's an area, for me, where there's more mystery left. I've photographed so many musicians, I've been in studios so often, I know the whole process. The mystery's gone from it. I think it's important to keep mystery into our lives. There's a longing connected with it.
So much of history is mystery. We don't know what is lost forever, what will surface again. All objects exist in a moment of time. And that fragment of time is preserved or lost or found in mysterious ways. Mystery is a wonderful part of life.
We are part of a mystery, a splendid mystery within which we must attempt to orient ourselves if we are to have a sense of our own nature.
The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
When all the words have been written, and all the phrases have been spoken, the great mystery of life will still remain. We may map the terrains of our lives, measure the farthest reaches of the universe, but no amount of searching will ever reveal for certain whether we are all children of chance or part of a great design. And who among us would have it otherwise? Who would wish to take the mystery out of the experience of looking into a newborn infant's eyes?
Life and consciousness are the two great mysteries. Actually, their substrates are the inanimate. And how do you get from neurons shooting around in the brain to the thought that pops up in your head and mine? There's something deeply mysterious about that. And if you're not struck by the mystery, I think you haven't thought about it.
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
There's even more blending of genres happening. They blend sci-fi with action, or family drama with a mystery show. People don't want to just do the same thing that everybody's done a thousand times before, and that's probably a big part of it. I think you're also seeing television and features speak to each other. You see it happen in movies, and it starts to get reflected on the small screen.
I think the hardest part about making a scary film is about being able to retain the mystery, especially when it comes to supernatural stuff.
It is so easy for your people to forget that everything has a spirit, that all are equal. That magic and mystery are a part of your lives, not something to store away in a child's bedroom, or to use as an escape from your lives.
If we think about what mystery entails as a genre, certainly a big part of it is a resolution.
I am a man, and men are animals who tell stories. This is a gift from God, who spoke our species into being, but left the end of our story untold. That mystery is troubling to us. How could it be otherwise? Without the final part, we think, how are we to make sense of all that went before: which is to say, our lives? So we make stories of our own, in fevered and envious imitation of our Maker, hoping that we'll tell, by chance, what God left untold. And finishing our tale, come to understand why we were born.
How you prepare for a role is entirely your business in my point of view. There is little enough mystery anymore left in the world in the part of our profession, which should be clouded in mystery because it isn't in the public. You don't want the magician to show his tricks or how he did them do you? So I do think that is a very private thing that we actors should protect ourselves from.
Life can be less mysterious than we make it out to be when we try to think about how it would be on other planets. And if we remove the mystery of life, then I think it is a little bit easier for us to think about how we live, and how perhaps we're not as special as we always think we are.
There's all kinds of reasons that you fall in love with one person rather than another: Timing is important. Proximity is important. Mystery is important. You fall in love with somebody who's somewhat mysterious, in part because mystery elevates dopamine in the brain, probably pushes you over that threshold to fall in love.
I am entirely on the side of mystery. I mean, any attempt to explain away the mystery is ridiculous. I believe in the profound and unfathomable mystery of life which has a sort of divine quality about it.
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