A Quote by Mike Phelan

At times you are going to miss people. When that happens, others have to come to the front and show the calibre that brought them to the club in the first place. — © Mike Phelan
At times you are going to miss people. When that happens, others have to come to the front and show the calibre that brought them to the club in the first place.
If you throw the ball 60 times, you are going to make miss some of them. That kind of happens.
CBGB was a wild place, ... The first time I ever played there was in 1987, I think, with my hardcore band, Scream. And I remember the craziest [thing] about that club was you could be in front of the stage and it could be louder than any show you've ever been to in your life. But if you were towards the back of the club at the bar, you could sit and have a conversation with someone. It was the weirdest thing to me.
I've been in front of 60,000 people. Then there are times I've been in front of less than 100. Every single show is going to be something you remember.
Letting users control your site can be terrifying at first. From day one we were asking ourselves, "What is going to be on the front page today?" You have no idea what the system will produce. But stepping back and giving consumers control is what brought more and more people to the site. They have a sense of ownership and discovery at the same time. If you give users the tools to spread and share their interests with others, they will use them to promote what is important to them.
I've been on 'Criminal Minds' twice! On the first show, a boy brought kids out to the woods and was beating them with a baseball bat, but I got away. Then they brought Tracy, my character, back - as a kidnapped girl. They saved me two times! Tracy lived!
I miss a lot of things; that's the price one pays for stardom. I miss standing in queues, buying tickets, and watching films first day first show. It isn't the same going to preview theatres or multiplexes and trying to stay incognito.
I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite... I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
It's that wonderful old-fashioned idea that others come first and you come second. This was the whole ethic by which I was brought up. Others matter more than you do, so 'don't fuss, dear; get on with it.'
Most artists, their 60th show was in front of no one. My first show was in front of 1,200 people.
Celtic are the club I supported as a boy, and I loved every moment I was there. For me to leave there, I knew I was going to have to not just come to a club, but I had to come to a special club that was going to allow me to connect with the players and hopefully the supporters, too.
Football is a fickle game - if I do get the jeers and the boos I'm just going to take it as them missing me playing down there because I miss Southampton. I miss the fans and I miss the good times we had down there. Of course I do.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
People don't deserve the restraint we show by not going into delirium in front of them.
With the films, it starts off with certain coordinates in the world and seeing what happens. What happens if you place yourself at an oil refinery in the Middle East? What happens if you place yourself in the White House Cabinet Room? What happens if you place yourself with Brad Pitt on the set of a film? And so on. And no matter what I capture, there is a sense of déjà vu to it, like you might have come across this visual before.
I believe in exploration, and I will miss being on the front lines of that endeavor. On one hand, I look forward to going home, but it's something that's been a big part of my life, and I'm going to miss it.
I have been brought up around art. Even now, when I travel, I love going to museums and spend hours in front of paintings. Art is like oxygen for me. That's what I miss in Bombay.
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