A Quote by Milind Soman

Nobody wants to cast me in films, yes that is true. I do not know why, but that is the reality. — © Milind Soman
Nobody wants to cast me in films, yes that is true. I do not know why, but that is the reality.
The key to moving a maybe to a yes is to make the buyer feel as though other buyers have already said yes. ... It helps if it's true, but it never is. No one wants to be the first yes. Why is this? I don't know, but I think it's anthropological.
I don't tend to get cast in the theatre much. People assume I come with all this baggage. But they do cast me in films. In films, I'm a nobody.
I've never made films for children. That's why children like my films. Nobody wants to be treated as a baby.
I live in reality, and I know at any moment I could stop getting the phone calls and nobody wants to hear me sing or tell jokes anymore.
Do you know why I won the last elections? It was because the people liked me, yes, because I had worked, yes, but also because the opposition had behaved badly toward me. And do you know why I won this war? Because my army was able to do it, yes, but also because the Americans were on the side of Pakistan.
You know, often films that are deemed positive, nobody wants to see them.
As with the subjects in all of my films, the incentive is left to the subject to determine on their own. I never ask someone why they say yes to me. After all, if you invited someone to join you for dinner, and they accepted your invitation, your next question wouldn't be, 'Why are you saying yes?'
There's a method aspect to Campbell Scott character and he really wants to get into his character and he wants to cast to go on a fast so that by the time the play opens nobody's eaten in three days because he wants the audience to feel the pain from the stage.
Don't ask me why the same producers cast me in their films. Maybe someone up there likes me as much as people down here.
Everybody wants my support. You know why? Cause I had more than 14 million people that voted for me. And nobody gives us credit.
I know know why ... if something not broke, don't fix it. Twelve Angry Men was the perfect movie. The cast was just the best cast you could possibly get together. The director was Sidney Lumet, the best director around. So why they made the remake I don't know.
Reality means you live until you die. The real truth is nobody wants reality.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
I'll quit eating meat when you get a cow out here to beat me at a poetry slam. Only so many words rhyme with 'Mooo.' I mean, yes, we're supposed to be better stewards; yes, we're supposed to take care of the earth; yes, we're supposed to honor the sacrifices made by the animals; yes yes yes yes yes, but dammit, we're in charge, and you know why? It's because of these [holding out thumbs]...Maybe you think that carrots are less important than cows. I think they're equal, especially in a sauce.
Have you ever thought about those last moments of your life? Nobody wants a long, lingering illness; nobody wants just that; but it would be nice if you could have a day or two where you know it's coming.
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