A Quote by Milind Soman
I am one of those people who love to act in films but does not want to watch them.
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People think that I have some idea about how I choose my films. I make sure that I am doing the kind of films that I want to watch. You hear so many stories, and one of them will stand out and connect to you somewhere.
Regarding the responsibility that a director has to society, first of all, there are ratings. There's freedom to make films, and freedom to watch them or not. It's not like I take those films to a school and force kids to watch them.
When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.
The face of love is variable. I am able to love without demanding that my relationships assume the structures and forms I might choose for them. My love is fluid, flexible, committed, creative. My love allows people and events to unfold as they need. My love is not controlling. It does not dictate or demand. My love allows those I love the freedom to assume the forms most true to them. I release all those I love from my preconceptions of their path. I allow them the dignity of self-definition while I offer them a constant love that is every variable in shape.
I go back to many films that I really love. Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don't watch, unless I need them.
I like to do realistic films as well as sensible humourous subjects, just because I think these films are only capable to attract people to the theatres. Though I agree that serious movies are also good and I like to watch them, it is a fact that majority of the people are hesitant to go to theatres for those films.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
I love independent film making. So much real love and passion go into them and you can feel it while you watch. As for my career, I don't want to be famous. I just want to be a part of as many beautiful, crazy, unique films as possible.
I love watching film. I love watching stories. I watch the people in them... Even, sometimes, films that nobody else can watch - 'How could you look at that? It's lousy' - I can look at it and be totally into it.
I am passionate about cinema in general. Eventually, I am making films for people to watch and enjoy, but somewhere, I have to be satisfied, too. I want to be happy after doing a film.
I would love to act in films if people think I am right for a particular role.
Yeah, like '300,' I've probably watched it 300 times. It's one of my favourite films. I've just finished watching 'Spartacus,' another great series. I relate a lot to those kind of films. I think most fighters should relate to those films. It just seems natural. I am Spartacus, I am Leonidas, I am the lead role in those films.
I don't watch horror films, because I don't want those images in my psyche, and I resent having them forced on me before a movie of my choosing.
I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.
Definitely my generation and beyond grew up in theaters and when you make a film you think of the theatrical experience. You think of that big screen in the darkened theater with a lot of people, so that's always the thought behind it. If that's the case, it's nice if that's available. That's great, but I don't really mind if they're watching films on a plane. I don't mind. Anybody who just wants to watch a movie, I can't complain. If that's the way they're going to watch them, that's the way they watch them. Who am I to judge?
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