A Quote by Milind Soman
I have not done too much television because I do not like doing one project over a very long period of time.
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I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
We have seen too much defeatism, too much pessimism, too much of a negative approach. The answer is simple: if you want something very badly, you can achieve it. It may take patience, very hard work, a real struggle, and a long time; but it can be done. That much faith is a prerequisite of any undertaking.
I really like working in television and I like exploring a character over a longer period of time, and I like the consistency of television.
I'm not someone who works a lot, and what I mean by that is that I have a project and I focus on it, and I don't spread myself too thin. I try to give as much as I can to that project, and if we have a lot of time, that's amazing for me, because I like to really dive deep and do as much as I can.
I was very hesitant about doing a period film. It was very much out of my comfort zone; I'd never done anything like that before.
I think often people fall into the breadth trap of wanting to do too long a period of time, and obviously there's this sort of algorithm of how much depth you can put into something times how much of their life you're trying to show. My attitude has always been, I'd rather show a briefer period of time in more detail than a longer period of time in less detail.
I love the long-form format of television. I love being able to develop a character, over a long period of time.
A kaiseki meal is like that, very small courses over a long period of time.
For Russians in the '90s, there was that sense of not knowing what the future held at all. And coming off a long period of when people actually were robbed of the ability to plan their future - that's very much a part of totalitarian control - that exacerbated it. In this country, we are not coming off a long period like that. But I think that for a lot of Americans, as a result of globalization, as a result of the housing crisis, the future is just too uncertain. And their place in the world is too uncertain.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.
I don't get to watch a lot of TV, mainly because I'm busy working. And I pretty much try not to watch very much television at all, even American television, until I'm done with a season, because things start to creep into my head otherwise.
If you stop doing a skill you've done for years for any period of time, there's an adjustment period to get it back. In anything you do. Motor skills won't work as fast, because repetition is everything.
I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.
By the time I'm done with a project, it's taken so long that I usually don't even like it anymore. I only see the things I wish I'd done differently.
Film is very much about sitting around and talking about ideas, and that's the stuff that I love, but I haven't experienced that yet in the television that I've done so far. It makes me long for movies again because, creatively, I always have a much more fulfilling experience there.
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