A Quote by Milla Jovovich
I felt violated after certain scenes in the movie [Stone]. She [Lucetta] is a tough character. The choices she makes, especially her sexual choices... it was hard for me to put myself out there like that.
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I think you approach a part the same way and just find out in what's making them tick and who they are. In a movie like this you may have a little less time and few dialogue scenes and exposition scenes for your character to really get that across, and so I wanted to be able to convey that she's not somebody who's just punching a clock but she has this weird emotional investment in her job to where she does get quite myopic and that's what makes her relentless.
I'd always ask my grandma, who was so, so smart, why she didn't work, and she would explain that her parents didn't approve of her working after she had children. She didn't feel like she had choices.
I think she's great because she - the choices are mine, essentially, and she's just there to guide me. She's my manager, but I feel like she's more of a mom. Although she helps me with certain things, she's still my mom.
My mother has made choices in her life, as we all must, and she is at peace with them. I can see her peace. She did not cop out on herself. The benefits of her choices are massive-a long, stable marriage to a man she still calls her best friend; a family that has extended now into grandchildren who adore her; a certainty in her own strength. Maybe some things were sacrificed, and my dad made his sacrifices, too-but who amongst us lives without sacrifice?
I liked the way my character, Shane, was first introduced. You get introduced to her through this sexual action, and I thought that was so cool and just kind of summed up what she enjoys and who she is, to a certain extent. She's a complete sexual being and the great thing is that she doesn't apologize for it. It's just who she is. We rarely see women be able to do that on television.
Think about the number of times someone will say to herself, "I want to get out of this circumstance, but I'm too afraid. I'll lie about how happy I am in this marriage, and I'll put up a front." But she's betraying everything that's in her heart. She's making choices that are harming her, and that's why she's hurting. Her intuition is trying to tell her that.
The casting director on the movie made me aware of her. She told me what to watch Starter For Ten, which I did and thought she was great in. She was just so charming and beautiful. But I felt she could probably look plain if we tried. And when I subsequently met with her, I was so charmed by her vulnerability and sweetness. Those were two qualities that were the most important for that character.
A woman recently told me a story about her descent into chronic fatigue. She was sleeping sixteen, eighteen hours a day, and feeling more tired when she woke up than when she went to bed. She really wanted to go to a workshop and she went anyway. And when she was there, she felt much less tired. So she decided, "Maybe if I continue to follow what I really want to do at all times, I will feel less tired." This was her spiritual practice - - to only do the things that she wanted to, and to not make choices based on anything else. That is an embracing of pleasure, of joy, of good feelings.
She didn't care anymore... and she got no pleasure from the work she did, but she did it. Everything bored her. She found that when she didn't have a notebook it was hard for her to think. The thoughts came slowly, as though they had to squeeze through a tiny door to get to her, whereas when she wrote, they flowed out faster than she could put them down. She sat very stupidly with a blank mind until finall 'I feel different' came slowly to her mind. Yes, she thought, after a long pause. And then, after more time, 'Mean, I feel mean.
She's like a Barbie, then she wants to be a superhero, or coming out of a spaceship and everything's pink. She makes a certain move that's ghetto hood mixed with a little robot so its like I'm evolving Nicki Minaj and developing her style. She's fearless, and I love her.
I suspect he's sweet on Sophie and doesn't like to see her work too hard.' Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said. 'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal.
My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.
She wasn't afraid of difficulties, what frightened her was having to choose one particular path. Choosing a path meant missing out on others. She had a whole life to live and she was always thinking that, in the future, she might regret the choices she made now.
I listened to a lot of Joni Mitchell in high school. She was sort of an inspiration to me. I think she's a great lyricist, and she makes interesting choices.
My sister made certain choices about the life she wanted. Those choices include a steady job, a husband and children. But balance and stability come at a cost. It is harder for her to be spontaneous. It is harder to just up and leave.
My mother was the greatest example to me of anyone I've ever known. She didn't have an easy life. I adored her. She worked hard all her life, and she was the one who set my values. She was quite an amazing woman, although she wasn't tough at all.
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