A Quote by Milla Jovovich
Unfortunately, I don't train enough on an everyday basis to be a black belt, but if I put my mind to it I think I could definitely move very quickly in that world.
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A black belt is nothing more than a belt that goes around your waist. Being a black belt is a state of mind and attitude. Even though surrounded By several enemies set to attack, Fight with the thought That they are but one.
I started doing martial arts when I was about 7, and I got my second degree black belt when I was 19. So I have my second degree black belt, but I've never used it and I had to stop when I got "Instant Star" because I couldn't train.
I started doing martial arts when I was about 7, and I got my second degree black belt when I was 19. So I have my second degree black belt, but I've never used it, and I had to stop when I got 'Instant Star' because I couldn't train.
Your shoes have to match your belt. That's rule number one for guys. You can't put the brown shoes with the black belt. Or a brown belt with a black wristwatch. Just don't do it! Also, I don't like boots with suits. And when you wear sneakers, make sure they go with your shirt.
It's not the black belt that you wear on your waist. It's the black belt in your heart and knowing that you can go out there and you can do it. That's what a true black belt is.
I have a black belt in chutzpah. I was born with it. Some people, like some of the women I know, have a black belt in spending. They were born with that. But what they gave me was a black belt in chutzpah.
'Long Black Train' was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, 'What does this vision mean and what is this train?'
I can definitely get the belt. It's something I always wake up believing every time I train.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
I am pretty standard, the way I dress, but matching the belt to the shoe - you know, brown belt, brown shoe, black belt black shoe - that's completely out of the window! I had no idea.
I never really started to carry a cellular phone until it was small enough so I could put it on my belt and not even feel it was there.
My training in martial arts was kind of a crash course in how to look like a black belt. I know the moves of a black belt - my kicks, and my stretches, and my punches and all that.
I gave it up three weeks before my black belt, foolishly. I got to my third brown belt and must have trained for 18 months but never went for it. I was nearly 18 and got this thing in my head about, ' Who are they to grade me?' Trying to be a rebel when I should have done it. It's my only regret, not going for a black belt.
I love the city. I love the energy of New York and what happens here. But I'm very happy I don't live in the city on a daily basis, because I really do spend a great deal of my time, when I'm not on the road, in my studio - everyday, everyday, everyday.
Comedy is very interesting because you can very quickly cross into dangerous territory. I mean look at what happened, unfortunately, (in) Paris a couple of weeks ago. They were making comics - which were really satire - but it offended people. I'm not saying the reaction was justified but there's definitely a line when you're doing comedy or satire and how it might affect somebody. That's the thing you have to watch and I think you have to be respectful of it.
When 'Raw Like Sushi' came out in the U.S., I wasn't considered to be black enough. They didn't really know where to put me. The music wasn't 'black black' sounding. It wasn't R&B; it wasn't straight up hip-hop, although obviously in that dimension and world.
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