A Quote by Milla Jovovich

I grew up with Thundercats and She-Ra: Princess Of Power. That was sort of my take on fantasy: the women after-school cartoon world. — © Milla Jovovich
I grew up with Thundercats and She-Ra: Princess Of Power. That was sort of my take on fantasy: the women after-school cartoon world.
'She-Ra' was truly my favorite cartoon growing up.
A good coach will come in ra, ra, ra and rejig the whole set-up. That might work for a year or 18 months but isn't sustainable. A great coach has the ability to get the best out of his players without the ra, ra, ra stuff.
That was the action figure I was playing with. I grew up having this fantasy of being a superhero, being Princess Power.
And isn't that, at it's core, what the princess fantasy is about for all of us? "Princess" is how we tell little girls that they are special, precious. "Princess" is the wish that we could protect them from pain, that they would never know sorrow, that they will live happily ever after ensconces in lace and innocence.
My mother grew up in abject poverty in Mississippi, an elementary school dropout. Yet, with the support of women around her, she returned to school and graduated as class valedictorian - the only one of her seven siblings to finish high school. She became a librarian and then a United Methodist minister.
It probably says something really clinically terrible about my character that I need to get up on a stage and go 'Ra ra ra' in front of people.
When I played Darth Maul, it sort of came from inside. I'm not saying it was natural, but I really enjoyed it, and I think I was tapping into my childhood, growing up with 'Star Wars.' And I grew up with G.I. Joe as well. Same as 'Thundercats' and 'Transformers' and 'He-Man.' And so I think it was the inner kid in me just came out.
I grew up in the Valley, and I didn't know any of our neighbors. I think when you grow up like that, there's always sort of a fantasy of a place where everybody knew each other, and you had that safe sort of feeling.
I grew up in a neighbourhood where there was a lot of fighting. It's what boys did during school, during recess, after school. And I was a fairly large kid. So everyone wanted to see if they could take me on.
I grew up in a utopia, I did. California when I was a child was a child's paradise, I was healthy, well fed, well clothed, well housed. I went to school and there were libraries with all the world in them and after school I played in orange groves and in Little League and in the band and down at the beach and every day was an adventure. . . . I grew up in utopia.
If women had power, what would men be but women who can't bear children? And what would women be but men who can?" "Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?" "A queen's only a she-king," said Ged. She snorted. "I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.
I love 'Swamy Ra Ra' movie and I wanted to act in Sudheer Varma's direction after watching that film.
I love dressing up. I'm from a huge African family and grew up in a really colorful place. The way I dress reflects my environment and wanting to take people into a fantasy world for half an hour.
I grew up feeling voiceless and powerless as a kid. I turned to books - fantasy books in particular - to give me comfort. As I grew up, I realized I could find that sense of power and voice if I simply started writing.
There's more to Gujarati cinema than characters wearing kediya and ghagra choli and saying 'Aa ra ra ra.'
My 94-year-old grandmother has always been so inspiring to me. She is kind, smart, brave, and independent. After graduating number one in her medical school class at a time when it was extremely rare for women to attend medical school, she worked with the World Health Organization in North Africa to eradicate tuberculosis.
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