A Quote by Milos Forman
For me, speaking is work. It's not like when you breathe.
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I find that, for me, it is this concept of borrowed or built life, life on loan, that gets me writing. It's similar to speaking about literature. I like it, and then I don't like it. It has such an inherent vein of pretention, because you're not speaking about real things. There's a literary pretentiousness made of speaking and spending so much time on unreal persons. And it seems, now, impossible to create an unpretentious, totally organic character.
I used to fear public speaking. My voice would shake, I used to forget to breathe. Now it's pretty easy for me.
We have had the pleasure of speaking with Hillary [Clinton] [and for Hillary] for many years now. It's always an incredibly warm experience - like you are speaking to someone who genuinely wants to work with you and for you.
Practicing meditation is just like breathing. While working we breathe, while sleeping we breathe, while sitting down we breathe... Why do we have time to breathe? Because we see the importance of the breath, we can always find time to breathe. In the same way, if we see the importance of meditation practice we will find the time to practice.
What does it feel like to be infected?" "I-- I can't describe it." I force the words out. Can't breathe, can't breathe, can't breathe. His skin smells like smoke from a wood fire, like soap, like heaven. I imagine tasting his skin; I imagine biting his lips. "I want to know." His words are a whisper, barely audible. "I want to know with you.
If you have time to breathe you have time to meditate. You breathe when you walk. You breathe when you stand. You breathe when you lie down.
I design like I breathe. You don't ask to breathe. It just happens
We breathe the light, we breathe the music, we breathe the moment as it passes through us.
Was he a good kisser, Ms. Lane?” Barrons asked, watching me carefully. I wiped my mouth with the back of my hand at the memory. “It was like being owned.” Some women like that.” Not me.” Perhaps it depends on the man doing the owning.” I doubt it. I couldn’t breathe with him kissing me.” One day you may kiss a man you can’t breathe without, and find breath is of little consequence.” Right, and one day my prince might come.” I doubt he’ll be a prince, Ms. Lane. Men rarely are.
Our dad was always like, 'Look, if you're musical, if you live and breathe music and want to play an instrument, that's not something that's on me to put on you. If you're passionate, you will come to my studio every day after school and watch me work because you can't live without it.
If you're doing something in the city, then hopefully you're speaking to somebody who has an open mind who is walking by. And you're also speaking to a community of other people who do similar types of work. I like to think that the outdoor community is broad and able and open for anybody to see.
What a misfortune it would be, religiously speaking and educationally speaking, if we could only work happily with those who saw things as we do.
I do my job like I breathe — so if I can’t breathe I’m in trouble.
Your work isn't just to learn and say the lines. Your work is to figure out what the chatter in your brain is, that's going on under the lines. It doesn't matter whether you're speaking or not speaking because your mind is working the way your character's mind would work.
I actually like character work, so for me, generally speaking, I enjoy it. It's a little bit more of a comfortable suit you put back on. You can explore it and have fun with it and push the limits of it.
When I taught art, I was always asked, 'How do you know you're an artist? What makes you an artist?' And to me, it's like breathing. You don't question if you breathe; you have to breathe. So if you wake up in the morning, and you have to realize an idea, and there's another idea, and another, maybe you are really an artist.
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