A Quote by Minnie Maddern Fiske

...an actor is exactly as big as his imagination. — © Minnie Maddern Fiske
...an actor is exactly as big as his imagination.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
To grasp the full significance of life is the actor's duty; to interpret it his problem; and to express it his dedication. Being an actor is the loneliest thing in the world. You are all alone with your concentration and imagination, and that's all you have. Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done.
There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
I think I'm an actor because I have very strong imagination and empathy. I never studied acting, but those two qualities are exactly the qualities that make for an activist.
I like Ryan Gosling as an actor. I watch all of his movies, and he's Canadian and I just like his swag. I read his interviews and I'm a big fan of his.
The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.
Every actor you learn from, take something from everyone - big actor or not. Whether they're big movie stars or not doesn't really matter.
He had prepared his death much earlier, in his imagination, unaware that his imagination, more creative than he, was planning the reality of that death.
The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
I think the secret of great acting is that you have to bring your imagination to the party. You have to have a great imagination and you have to bring it every day when you're working. Your imagination and your skills as an actor are what see you through, not what you're wearing or where you are.
The artist's imagination may wander far from nature. But as long as it is a living, moving power in his brain, isn't it just as real as any other natural phenomenon? The artist justifies his existence only when he can transform his imagination into truth.
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
I was a child actor in 'Deliverance,' but not the banjo player. It was my dad's big movie as a director, and at the very end there's a scene where Jon Voight comes home to his wife. I played his young son.
One of the things that's awesome about being an actor is that you get to do stories, live lives and have experiences that you never could have even conceived of, and that's because you're living in another writer's imagination and another director's imagination.
I'm a big fan of James Garner. That was the other thing. When I heard that I'd get to play his younger years, (I thought) things are looking up. Unfortunately, I didn't get to meet him. He was in bad health at the time. I was a big fan of his for a long, long time - and still am! I think he's a great actor to follow a career path with.
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