A Quote by Mira Nair
Every film is a political act; it's how you see the world.
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Every film has a political side. It's something that you cannot ignore. Politics is a part of everything, it's how we speak, how we perceive one another, how we hold this interview: Everything is politics. But it's a very different thing to just stuff your film with political messages.
I think every film is somehow a political film. You show a perspective and a world that has logic, and that logic is inserted into a political environment, and it means something. Yes, why not?
Leon Golub was a painter. He was an artist struggling to make it in the New York City art world, but at the same time he was a very political guy, and engaged in the world around him. In the film, we saw how that world eventually encroached into his painting. One of my favorite lines in the film was how he had to be more precise, 'but now the pants have wrinkles, I hated to do it, but I had to do it.'
Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.
Art is inherently political. Even trying to make a film that has nothing to do with politics is, in and of itself, a political act.
The definition of political cinema is one I don't agree with, because every film, every show, is typically political in nature. Political cinema is simply the brainchild of bad journalists.
I think personally that every actress should do a little film. Even a short film. And all directors should act, to know how difficult it is also the other way around.
There are times when every act, no matter how private and unconscious, becomes political.
The world is how we see the world. Some people see the world good, the other people see the world bad. Every person has an idea of the world with a subjective [viewpoint].
I define my work as a feminist act and a political act because I'm black and a woman. You don't necessarily have to claim that, but the act of making art itself is a political and feminist act when you're a woman.
Just about every science whiz can tell you how he or she took apart the TV or the radio when they were kids just to see how it worked. To see what the world was made of. Well, when I was a kid, I took apart fairy tales to see how they worked. To see what the world was made of.
You cannot live a political life, you cannot live a moral life if you're not willing to open your eyes and see the world more clearly. See some of the injustice that's going on. Try to make yourself aware of what's happening in the world. And when you are aware, you have a responsibility to act.
You go to the cinema and you realize you're watching the third act. There is no first or second act. There is this massive film-making where you spend this incredible amount of money and play right to the demographic. You can tell how much money the film is going to make by how it does on the first weekend. The whole culture is in the crap house. It's not just true in the movies, it's also true in the theater.
The making of a human likeness on film is a political act.
I think I'm an actor. You can hire me. I can do a good job. But you also have to get lucky now and then. Every film-maker knows how hard it is to do a good film. You have to just make many, and see how lucky you get.
The film Punch - Drunk Love is how you see the world when you're in love. You don't see somebody's psychological baggage necessarily, you see the person walking out of the light.
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