A Quote by Mira Nair

I am an independent film-maker first and foremost. I have always cut my own cloth. — © Mira Nair
I am an independent film-maker first and foremost. I have always cut my own cloth.
I believe that independent film making is the last frontier of creative expression available. So I'm always willing to lend a helping hand to a young film maker who's just getting into the business.
They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
Everyone will tell you how rigid I am, but a teacher has to be flexible. You can't cut the student to your cloth; you have to cut yourself to theirs.
What happens to me is that I am first and foremost a film geek.
By the age of 9 or 10, I knew that I had to cut my own cloth and make my own way.
The first and foremost criterion for me when selecting a film is the character I am playing, and then the director.
I got my career start by first creating my own free, independent lifestyle in my own house out in the country. There I taught myself to make and later design furniture. I have continued to go my own way, always consciously needing to feel that I am moving forward.
My first love was always direction; I had worked hard as a film-maker but not as an actor.
It's always fun to get to do independent film because I believe that that's the life blood of film. It's about writers and directors who truly have their own vision, and that's hard.
There's a documentary film-maker called Werner Herzog, who's a German film-maker. I really dig his stuff, I'd love to chat with him.
People are first and foremost Republicans, first and foremost Anarchists, first and foremost a man or woman, and that is a mistake. It hurts the individual and it hurts the whole.
Usually, with me, the project is always the second thing. The film-maker comes first. Films grow out of the relationship.
My experience I consider an accident in the Hollywood system. I don't believe it should be a reference for a black film maker, or an example for any young film maker, because it's purely luck.
The old footage of my dad, I always knew we were cut from the same cloth, because my dad was such a renegade and always marched to the beat of his own drum. To see where we were both dancing and being silly together, it's too beautiful for words. I was really happy to have that.
I've had a lot of experience in independent film, and about how to choose. You've got to be very discerning about where you put your five bucks, and where you cut and what you don't cut.
As a film-maker, I enjoy telling stories, and every film has its own journey.
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