A Quote by Mira Nair

We have three generations at home, including my father-in-law. I keep a very low profile, and a lot of things I do are very much with the family in mind. I have actually made films with the family around me.
My parents, and especially my mother, always made films in a very artisanal kind of way. Her office was at home. She was always filming low budget stuff and including her family inside. It was more a way of life. I related to that from the beginning.
Family businesses that have been around for generations are suddenly closing their doors, and while I'm not comparing my situation or my family's situations to theirs, the fact that my father's business, which has been around for 30 years, might not be around, it gives me a perspective that makes me want to fight even harder for a lot of people.
I had a very special family life. My mother and father made sure when we were home, we were part of the family, not a TV star. And the other thing: my father was fully employed while I was doing the series.
It's a little challenging as a congressman to keep a low profile, but I try very hard to keep a low profile.
I had a big family - two older sisters and a younger brother. My family was like moving around a lot so I lived in a lot of small towns. My father was very restless.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
I grew up in a family that my father was a very, very, a person with so many ideas, so many new visions and dreams. For me to grow up in that family, that also helped me to have a vision to create and open boundaries and things. So I think it's like, it just comes from the family.
After that I won a prize, I was with a group of ancient music of Spain that they helped me a lot with a grant, you see, during three years. And so I made my debut in 1944 and I found myself helping my family, it was a very poor family.
I work very regular hours, roughly 9 to 5:30. I think I have it much easier than a lot of parents. I just sit at home, I have a very flexible timetable, and I'm very fortunate in that I don't have money problems. I have lunch with my wife at home. I don't have to commute, so I have much more time with my family.
I take my kids to school and if I go to work they visit me on set, I come home. I have dinner with my family. I have breakfast with my family. I have a very solid, a very warm home. I'm fortunate.
Family is very important. Me and my brothers were very close when I was growing up. We did a lot of things together to survive. If you have family behind you, the sky's the limit.
I do a lot of cooking. I've always cooked for my family and my father and I cooked together. It's just one of the things I like to do. If you came around my house for dinner, you'd watch me cook as we sat around the kitchen and cooked and talked. For me, that's centralised... friendship and family around food and cooking.
I'm very competitive, and I want to be very successful, but at the end of the day, films to me are still films. I want them to be good, and I'll work the hardest, but at night, I go home to my life and my family, and that's where my heart lies.
What I said was that Joe's family was different than my family, that he came from a very affectionate family. My family was very loving, but we didn't show that kind of affection. So for me, that took me a little while to get used to that.
I don't know who in my family thinks very fast at all, including me. The things that people see me do onstage are written, so it doesn't have to be very quick if you have all day with a pen.
'The Leftovers' takes place three years after 2% of the population has gone missing. And it's about how that changes society. Cults form as a result, and it drastically changes home life for a lot of people, including the Garvey family, which is the family I belong to.
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