A Quote by Mira Nair
You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us - brown people - were looked at as the 'Others.'
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Post 9/11, brown people had this force pushing us together. It's like we're all being looked at with fear and suspicion; we're all being targeted, so how do you support yourself and your communities?
Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that.
I just looked like there was only one thing I could do: be in a band. It looked like I was already successful, basically. Which is what I wanted to do when I was 16. I just felt like if you did that, aesthetically you would just draw people who were doing the same thing.
I saw the discrimination that was happening towards Middle Easterners, Muslims and other brown people who had nothing to do with 9/11. It suddenly felt like a duty of mine to talk about some of the crazy things that were going on and make fun of how stupid it was.
Of course, you decide which story you want to tell. For me, it's been very authentic, so sometimes I'm super happy, and I post four pictures one after the other; sometimes I'm busy, and I don't. Sometimes I'm sad, and I post a sad picture.
Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces - the golden face and the dead-white face so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs Beaver particularly noticed this.
My parents were the only people to go to South Africa from Australia in a single engine plane... the two of them, no radio... you had to fly down low to see the street signs to know which city you were in... most people couldn't speak English.
The relevance for 9/11 is that what 9/11 marked was the beginning of a struggle in which the terrorists come at us and strike us here on our home territory. And it's a global operation. It doesn't know national boundaries or national borders.
He was chugging brown pop from a can Jack had handed him while he stuffed nacho cheese Doritos in his face. I was glad to see he looked lots better, almost completely like himself, which proves Doritos and brown pop really are health foods.
What appeals to me in The Deuce is some of the same things that made me interested in The Wire, which is there seems to be a theme here around markets and capitalism and labour. This is a moment, 1971, of something that was under the counter: then brown paper bags suddenly became legal, pornography. And it was really the birth of an industry which is now a multi-billion dollar American standard. And these people were the pioneers at a moment where there really were no rules, then suddenly there was a legal industry that was allowed to exist.
Oh gosh, I dyed my hair red when I was in year 11 with that L'Oreal Live stuff. It was like plumy purple - it was horrific. I looked awful; I don't know what I was thinking!
Home is not fixed - the feeling of home changes as you change. There are places that used to feel like home that don't feel like home anymore. Like, I would go back to Rome to see my parents, and I would feel at home then. But if my parents were not in Rome, which is my city where I was born, I would not feel at home. It's connected to people. It's connected to a person I love.
But even if we were to disappear, people would still be divided into people and Others. No matter how those Others were different.People can't get by without Others. Put two people on an uninhabited island, and you'll have a human being and an Other. And the difference is that an Other is always tormented by his differentness. It's easier for people. They know they're people, and that's what they ought to be. And they all have no choice but to be that way. All of them, forever.
Do you remember when you were 10 or 11 years old and you really thought your folks were the best? They were completely omniscient and you took their word for everything. And then you got older and you went through this hideous age when suddenly they were the devil, they were bullies, and they didn't know anything.
It is only the surprise and newness of the thing which makes that misfortune terrible which by premeditation might be made easy to us. For that which some people make light by sufferance, others do by foresight.
It always felt like you were trying too hard to look like the audience or something. That whole thing about the artistic integrity, which, of course, I've never bought into - with any artist. It's just not a real thing.
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