A Quote by Mira Nair

What's nice about what we have is when you enter the set, the world of film, it becomes this real cocoon, very different from all the publicity. That's the fun part. — © Mira Nair
What's nice about what we have is when you enter the set, the world of film, it becomes this real cocoon, very different from all the publicity. That's the fun part.
When we accept Christ we enter into three new relationships: (1) We enter into a new relationship with God. The judge becomes the father; the distant becomes the near; strangeness becomes intimacy and fear becomes love. (2) We enter into a new relationship with our fellow men. Hatred becomes love; selfishness becomes service; and bitterness becomes forgiveness. (3) We enter into a new relationship with ourselves. Weakness becomes strength; frustration becomes achievement; and tension becomes peace.
Innocence is the way you really give fun to others, create the fun part of it. The fun is created only through innocence and innocence is the only way you can really emit also the fun. Imagine this world without any fun, what would happen? But people are very much confused between fun and the pleasure. The pleasure is nice to begin with and horrible to end with. But fun is a treasure. Anything that is full of fun you remember all your life.
It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.
I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
I had a great time working with Denis [Villeneuve] and the whole group. It was a very different kind of a part [in Story of Your Life] than I've played in a while. But I had great fun; and yes, it was really nice not to have to answer to anybody about that.
When we are little, we always dream, and the first teams that come into your head are those on the world stage for their marketing, their image, their publicity. That makes you dream about how nice it would be to play for Real Madrid, to play for Barcelona.
I think the most fun part about working on 'Good Luck Charlie' is spending time with everyone, honestly, because everybody on set is like my brother and sister and mom and dad. They're so fun to be around, so that's probably the best part about working there.
The second Cocoon questions that and deals much more directly with the value of living in the real world with its trials and tribulations. I would say it's about that and not about aging or death.
One of the very nice things about investing in the stock market is that you learn about all different aspects of the economy. It's your window into a very large world.
We're obviously in a strange environment where practically anyone can set themselves up as a pundit of sorts. It's all about sorting the wheat from the chaff, and I'm very interested in reading different points of view, and certainly different generations than my own that have such a very different world view.
I think film and television - particularly film - you are very isolated as a writer. If you're lucky, you have a good relationship with the director. Then you do make that development and come on set and be part of something. But ultimately, your work is kind of done by the time you come on set.
Any set in the world, I feel ridiculous. There's a lot of ridiculousness in my job. The people are the fun part. But, it's not fun enough to do it for free.
What I liked about it is in the world of children, there are very, very different rules and a kind of naivete and innocence and sweetness that's been beautifully captured, I think, by this film as you can even see gesturing toward the film's poster on display nearby from this gorgeous artwork.
To go from Jon Favreau for Iron Man 1 and 2 to Kenneth Branagh for Thor and the very different world of Thor, it's about how to adapt to Coulson in a different setting and a different world while, at the same time, still have him be a part of the same world.
I could do nice, but it's just not as much fun. Being nice isn't my biggest goal in life. I'm trying to be honest about who I am, and that's not always nice. I'm not always the world's cheerleader.
This site uses cookies to ensure you get the best experience. More info...
Got it!