A Quote by Miranda July
If you want to have a character who falls into crisis, all you have to do is turn the Internet off, and then we all understand how that feels, when you suddenly just have time and yourself.
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When I write, I try to turn my Internet off so I can't procrastinate through the Internet, but then I just get deeply involved in whatever I have just on my computer.
I think it's only in a crisis that Americans see other people. It has to be an American crisis, of course. If two countries fight that do not supply the Americans with some precious commodity, then the education of the public does not take place. But when the dictator falls, when the oil is threatened, then you turn on the television and they tell you where the country is, what the language is, how to pronounce the names of the leaders, what the religion is all about, and maybe you can cut out recipes in the newspaper of Persian dishes.
Does it mean, if you don't understand something, and the community of physicists don't understand it, that means God did it? Is that how you want to play this game? Because if it is, here's a list of things in the past that the physicists at the time didn't understand [and now we do understand] [...]. If that's how you want to invoke your evidence for God, then God is an ever-receding pocket of scientific ignorance that's getting smaller and smaller and smaller as time moves on - so just be ready for that to happen, if that's how you want to come at the problem
When you're lost in those woods, it sometimes takes you a while to realize that you are lost. For the longest time, you can convince yourself that you've just wandered off the path, that you'll find your way back to the trailhead any moment now. Then night falls again and again, and you still have no idea where you are, and it's time to admit that you have bewildered yourself so far off the path that you don't even know from which direction the sun rises anymore.
When was the last time you wanted to say it all to the right person To have it all come out right, to surprise yourself at how together you could be. When was the last time you ever met someone who made you want to give it all to them I mean give yourself to them. Where you couldn't express yourself enough - like you wanted to cut off one of your arms to be understood. That's it - you would cut your head off to have someone understand you. You know how pointless that one is. You know how many times you've smashed yourself to bits on the rocks.
You have to have a character; you have to build your character. If you understand the pro wrestling scheme of things, then you understand what the promoting is. These guys are friendly backstage, but as soon as the cameras turn on, it's a whole different story: you become that character.
Turn off the TV, turn off the Internet, just go out, and I bet you your life will get better really quick.
I learned to understand the distance a character can be from yourself and how important rehearsal can be to creating a person that feels like a person that isn't you.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
I wanted to turn everything off, too. Just press a button - click - and shut myself down. Turn off my heart, turn off my mind, turn off my body - just lie there, senseless, like a dormant tree in winter, waiting for the spring to return.
About the same time, I realized that it was suddenly going away from me and there I was, running at about 300 miles per hour. I tracked it for a little way, and then all of a sudden the damn thing just took off. It pulled about a 45 degree climbing turn and accelerated and just flat disappeared.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
It feels strange to have spent much time wishing for something, for someone and then one day, suddenly, to just stop.
I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.
Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn?" Marmeladov's question came suddenly into his mind "for every man must have somewhere to turn.
All of a sudden, we've lost a lot of control,' he said. 'We can't turn off our internet; we can't turn off our smartphones; we can't turn off our computers. You used to ask a smart person a question. Now, who do you ask? It starts with g-o, and it's not God.
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