A Quote by Miranda July
To do someone else's script? I don't think I'd have a reason.
Related Quotes
You either learn your way towards writing your own script in life, or you unwittingly become an actor in someone else's script.
The last thing I want to do is having someone get behind a Montgomery Clift biopic, and then just do the first script that came out. Sometimes it takes a long time for these things to gestate. And I'm only going to do it if it's the right story that's told for the right reason, and that's relevant to this day and age, as much as it pays homage to who this man was. Should that happen during the time when I'm still young enough to play him, perfect. And if not, hopefully someone else will get to play him because I do think it's an incredible story.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
It's funny: the reason I did 'Beautiful Creatures' was the same reason I did everything else - even though it was a genre film and existed at a more studio level, the script and the characters were so well written.
Wherever you see a man who gives someone else's corruption, someone else's prejudice as a reason for not taking action himself, you see a cog in The Machine that governs us.
I can't imagine directing from someone else's script.
When I read for 'Girls,' I was like, 'The script says 'Handsome Carpenter,' so someone else is going to get the part. They'll have someone handsome, not me.'
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
I can't imagine being invested in someone else's script.
I'll not listen to reason... reason always means what someone else has got to say.
The reason that one person rejects you will be the exact same reason someone else is drawn to you.
When you finish reading a script and you realise that you didn't think of anything else, that you were just focusing on the script and were caught up in the story, then that's when I am amazed.
I think of love as an action. Finding something that's outside of yourself, to serve someone else's soul, helping to ignite someone else's spirit, to bring about ease of heart and joy, serenity in somebody else.
People are always pleased to indulge their religiosity when it allows them to stand in judgment of someone else, licenses them to feel superior to someone else, tells them they are more righteous than someone else. They are less enthusiastic when religiosity demands that they be compassionate to someone else. That they show charity, service and mercy to everyone else.
Ultimately, however, the script an actor enlivens is someone else's words.
When I did The X-Files, there was certainly less of that because the script was as it was and it was such a wonderful script and it was quite complex and there wasn't a hell of a lot of improvising I could do to bring to the table, but I guess what I did bring was a sense of self and that the reason I was cast was because I did come across as someone who possibly was only human for a short time.
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