A Quote by Miranda July
I guess like any writer or screenwriter I'm alone in my own world so much of the time that I'm often trying to force myself out of my world. Into more risk. A less controlled kind of inspiration. I'm so keenly aware of how easy it's getting to not leave the house, with Amazon, especially.
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To be a writer you have to be out in the world, you have to risk yourself in the world, you have to be immersed in the world, you have to go out looking for it. This becomes harder as you get older because there's less energy, the days are shorter for older people and it's not so easy to go out and immerse oneself in the world outside.
Years ago, it wasn't easy to communicate, and it wasn't easy to spread information. We were limited to the few media outlets that controlled viewership around the world and, by consequence, controlled the public opinion. But today, this platform is democratized. Any community around the world can help. That is the great thing about our time.
Out of the house and on my own, I faced the fact I didn't much like who I was. I didn't like my judgmentalism; I didn't like my absolutism. I didn't like my repression of natural empathy, my pinched lack of emotional generosity. How I had been thinking politically had less to do with what was wrong with the world and more to do with what was wrong with me, with my fears and insecurities, failings, weaknesses.
Over time, I have come to see the work of literature less as narrating the world than "seeing the world with words." From the moment he begins to use words like colors in a painting, a writer can begin to see how wondrous and surprising the world is, and he breaks the bones of language to find his own voice. For this he needs paper, a pen, and the optimism of a child looking at the world for the first time.
The world is not made up of particles and waves and beams of light with a definite existence. Instead, the world works in a much more exploratory way. It is aware of all the possibilities at once and trying them out all the time. That is a hard thing to picture.
I do think, actually, one thing I noticed with Silicon Valley post-Trump is it kind of made them more politically aware, more aware that, like, business and philanthropy alone isn't going to make the world a better place.
I feel more comfortable in my own skin now than I ever have...I think there's something about loving Kai [her son] so much, in a way that I've never loved anyone, including myself. Also, I used to spend a lot of time alone, but he's this incredibly social kind of guy, so all of a sudden I'm always having people in and out of my house. It's changed the way I feel as a citizen of the world. And it's really important to me to feel good about what I'm working on, to justify the number of hours I'd have to be away from him.
Stop trying to change the world since it is only the mirror. Man’s attempt to change the world by force is as fruitless as breaking a mirror in the hope of changing his face. Leave the mirror and change your face. Leave the world alone and change your conceptions of yourself.
The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.
The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.'
I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.
Dreams, though, are just one kind of inspiration - no more or less special than something in a newspaper article or from the world around you sparking inspiration.
It's all about getting the hand of things. Easy does it; take it easy. You'll figure everything out in time. But for right now, just keep trying. Pay attention and avoid the temptation to go further than you're ready. Talk less. And listen more.
The collateralized debt obligation, the CDO, is a structure which allows you to more or less continuously choose how much risk you want to take in a whole batch of securities. And the reason why they got us into so much trouble is that it's hard to figure out how much risk you really are taking.
I'm getting less and less interested in the problems of youth. I'm much more interested in the idea of emotional paralysis, and I find myself less interested in work that doesn't have anything to do with a conversation about the world.
That's a really good question - what is it like living with a writer? I guess it depends on the writer. You know what? They live in a fantasy world a lot of the time. My husband lives in a fantasy world.
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