A Quote by Miranda July
The life you live in front of an audience is like an altered state - it's not totally real. I'm always, even in the course of one day, trying to find ways to balance both sides.
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I've always been into super upbeat, cute, uplifting progressions, but at the same time, I'm also a very dark person. I really like both sides, and I feel like I'm always trying to find some middle ground with music or style or anything that I do.
I understand that not everyone agrees with my perspective on Ray Kelly. But what you gotta look at here is somebody like Bill de Blasio talking out of both sides of his mouth and trying to have it both ways on a really critical issue like stop-and-frisk.
Somewhat predictably, I'm much more comfortable in front of an audience - and a big audience is even better - than faced with one stranger. This always seems like a bit of a failing on my part, as a human. I think that's also why I put myself situations where I'm forced to engage in other ways.
Any time you add something to your game, you still have to find ways to improve, so I'm still studying the game and trying to find out ways to increase how we use me on the floor. You're not being complacent, not falling back and floating around the perimeter too much, figuring out when to attack. I'm trying to find that balance between attacking and spotting up and things like that.
My demon is hating to have to do a regular day job. Being up on stage really helps me forget I have a life like that - when I did have a life like that. I find complete contentment and happiness when I'm playing in front of an audience.
![Steve "Lips" Kudlow](/assets/images/photos/avatars/steve-"lips"-kudlow.webp)
The business of the state trying to legislate modesty is relatively both an infantile and ridiculous procedure. Of course, it is true that the more things are secreted the more intriguing they become, because it is always the forbidden that has the strongest appeal. Nudity is a state of fact - lewdity a state of mind.
'Full House' was the first time I had ever been in front of a live audience. I said a line I had rehearsed with my mom, and they laughed. It was wild. To have that energy of the live audience was like, Whaaat? Feeding off that live audience was, to a 4 or 5 year old, a high.
You have to find ways to find that center, to find that balance, to find sanity, because again, we are getting bigger, and people look at us that way. We have to find that new balance.
It always felt like you were trying too hard to look like the audience or something. That whole thing about the artistic integrity, which, of course, I've never bought into - with any artist. It's just not a real thing.
Can they do both? That's a huge balance, I think, with kids- trying to find the right- it's everything, you know, it's social life, it's academics, it's sports.
Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.
I love watching people be totally committed in a very real way to stupid situations. I find it's not so much trying to be funny, it's trying to be real in a messed up context. That's comedy to me.
I'm someone who loves to enjoy life and tries to focus on real things and real friendships. That's why I live very simply. I'm a jeans and T-shirt kind of girl. I don't spend much time fixing myself up or trying to look cool. I live like a normal person and even though I'm in a very high-profile business, I really don't let it affect the way I live.
Gray space is fertile ground for fiction. When I can see both sides of an argument and feel strongly in both directions, then there's a story there, then I can write real characters that I care about and believe in and champion on both sides.
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
From the political angle, I'm trying to be apolitical if you will. I mean people say, 'Are you a red state or blue state?', I say, 'I'm purple.' I think there are great ideas on both sides of the aisle and neither side has cornered the market.
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