A Quote by Missy Elliott
When I create something, it's got to be special, and it can't just be to throw something out there because I feel like I'm Missy.
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Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
We always feel there are 3 parts to the song. The most important part is the reason it should exist. Our process usually consists of me sitting at the piano & Bob hovering over it. We throw ideas out...I start to play something...he'll hum something to make it better. He'll throw a line to me, I'll twist it to make it better and we scramble around like that for sometimes hours and days, 'til we both agree we've got something to show! That's how it works!
Turkey was fantastic, Turkey was, like, mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy, except it's real.
Turkey was fantastic, Turkey was like mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy except it's real.
You just feel good when you know you've got something nice on, something special.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.
Keep at something even when you don't feel inspired. Don't wait for inspiration! I write a lot of songs that are terrible, in the hopes that one song that has something special comes out of it. Just stay at something, and write every day if you're writing lyrics.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I imagine the wave of water colliding with the rock and spilling over the tile floor, collecting around my shoes. Doing a little at once can fix something, eventually, but I feel like when you believe that something is truly a problem, you throw everything you have at it, because you just can’t help yourself.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
You throw sadness, you throw depression, you throw horror at Batman, he's like, 'Yeah, yawn, I've done that.' You throw happiness at him? That's something that riles him; that's something that he's not used to.
I'm much more willing to buy a novel electronically by someone I don't know. Because if halfway through I think, I don't really like this, I can just stop. I can't throw books out, even if I think they're crummy. I feel like I've got to give it to the library. I've got to loan it to somebody, or I keep it on my shelf. It's like a plant.
I do like to write nasty songs. It's a useful weapon to have, and it's cathartic as well, because I create art out of anger, something positive out of something negative.
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