A Quote by Misty May-Treanor
Once the day is over in volleyball, I leave the court and no one sees or hears from me for the rest of the day. I like to keep work at work. It's pretty easy for me to live a pretty normal life. I like to coach and I like to sit in a crowd at a baseball game. No one really recognizes me unless I'm walking around a beach half-naked in a suit with my name on it. Of course, I have it easier than Kerri. When you're 6-3 you tend to stick out a little bit.
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I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.
You have got me walking up and down all day under those trees, saying to me over and over again, "Solitude, solitude." And You have turned around and thrown the world in my lap. You have told me, "Leave all things and follow me," and then You have tied half of New York to my foot like a ball and chain. You have got me kneeling behind that pillar with my mind making a noise like a bank. Is that contemplation?
I usually like to keep my hair and makeup routines pretty simple after I work out but always need a little bit of mascara to finish off the look. I just swipe some on and then am good to go for the rest of the day.
Basketball has always been a sport I loved and grew up playing. For me, it was one of those things that... I guess baseball was just in my genes a little bit. I have a lot of cousins that played baseball. Basketball is not an easy sport - you definitely got to be gifted to play that game. I felt like I was pretty good at it, but my ability was better in baseball.
I don't happen to like pretty things. I don't like pretty dresses. I like more attractive. I like people that look a little bit more offbeat. I don't like the classic pretty face. That doesn't mean it's not pretty or it's not wonderful, and most people don't agree with me, but that's the way I think.
The weirdest thing about me is that I like to walk around naked. I grew up walking around naked in my house. My mom was like that, and my sisters. My father worked nights and slept during the day, so we had no one to hide from.
When I play live, it doesn't look like I'm interacting with the crowd that much because I'm looking at the controllers and I'm concentrating, but I really like it, for me it's easier to play live than to work in the studio, it's more natural to be on stage improvising.
So, it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, forever, you and me, every day. Will you do something for me, please? Just picture your life for me? Thirty years from now, forty years from now? What's it look like? If it's with him- go. Go! I lost you once, I think I can do it again, if I thought that's what you really wanted. But don't you take the easy way out.
For me, I like to be a little bit tomboy but still look like a lady. Pretty tough. Or really, really, really pretty.
I just go to work every day, spend hours in the film room, go to practice, go home and then do it all again the next day. I know I can be boring and I sound like a walking cliche but I really do just try to get our team ready to win a game on Saturday. That's pretty much my life.
I'm trying to think, like, 'Wow, I know one day, my kids are not going to live with me. They're gonna be like, 'Oh my god, Mom, leave me alone!' So I try to be grateful for all the little things. Perspective really lets me slow down.
I fall asleep feeling beautiful. Then, in the morning, before I leave the house, I say five things I love about myself, like 'You have really pretty eyes.' That way I can go out into the world with that little bit of extra confidence. It's a feel-good protein shake in my back pocket in case someone messes with me that day.
I have never felt like I was creating anything. For me, writing is like walking through a desert and all at once, poking up through the hardpan, I see the top of a chimney. I know there's a house under there, and I'm pretty sure that I can dig it up if I want. That's how I feel. It's like the stories are already there. What they pay me for is the leap of faith that says: 'If I sit down and do this, everything will come out okay.'
I don't want to be like a flag in the wind one day like this and one day like the other, praying for a few points. Sometimes at this level we have to, sadly, work within this pressure in your day to day work, and that's quite normal.
I'd like to do a little bit of everything. I think the only thing I can't do is a British accent, so that's out. No Shakespeare for me. Unless it's like one of those modern-day remakes.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
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