A Quote by Mitchell Baker

I guess my other advice is that it's really good to be comfortable among groups of men! It's just a very common work setting and I don't actually think about it too much, but there must be some comfort level that I've developed over the years.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
I always resist seeing my own personal motivation in my work, but I guess it must be there on some level. And I do feel very much that my life follows the kinds of things I talk about in my books. I've always thought of myself as an insanely lucky person, so perhaps the success of my first two books led me to want to examine this phenomenon on some unconscious level.
I think that the Me Too movement, which in some ways has been very good, in other ways, as with everything else, has been very damaging. Because really it has immobilised men. It has really prevented men from being men.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
You know, I think everybody I've seen has come from some other therapy, and almost invariably it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person, he doesn't relate to the person. All these things I've written so much about. That's why I've made such a practice really, over and over to hammer home the point of self-revelation and being more of yourself and showing yourself. Every book I write I want to get that in there.
Advice is not really very useful. People gave me terrible advice, and I guess I was just smart enough to ignore some of it.
I was so grateful to work on 'Bunheads.' We had so much material, and everything was so rapid-fire, and I developed - through theater too, I developed a really great work ethic. I think preparing for both of them is just that - you come to set ready to go, ready to play. You know your lines. You're ready to work.
Now, brethren, this is one of our greatest faults in our Christian lives. We are allowing too many rivals of God. We actually have too many gods. We have too many irons in the fire. We have too much theology that we don't understand. We have too much churchly institutionalism. We have too much religion. Actually, I guess we just have too much of too much.
It doesn't happen very often that you get to work with some really good friends of yours and there's a common language between everyone, you don't have to explain what you're doing, you can just run with it. It makes it just so much easier and more relaxed.
Don't take too much advice. Most people who have a lot of advice to give ~ with a few exceptions ~ generalize whatever they did. Don't over-analyze everything. I myself have been guilty of over-thinking problems. Just build things and find out if they work.
I hate the concept of the clog! It's fake, it's ugly, and it's not even comfortable! And I hate the whole concept of comfort! It's like when people say, 'Well, we're not really in love, but we're in a comfortable relationship.' You're abandoning a lot of ideas when you are too into comfort. 'Comfy'-that's one of the worst words! I just picture a woman feeling bad, with a big bottle of alcohol, really puffy. It's really depressing, but she likes her life because she has comfortable clogs.
I never look back and think too much about my films. I've done some work I've been proud of over the years but which of them is my favourite I really don't know. I could say the last one. I've had little jumps in my career like Unforgiven possibly.
I did spend about 5 years in the Griffin Theatre Company in 1978 actually , and worked therefore about 5 years on a voluntary basis. This was very much as a amateur, doing things like mopping the floor, handling props, setting up scenery, etc. I never acted, and don't think I'm an actor, but those years in the theatre taught me a lot about professional theatre.
I'm not sure what I think about current fashion, though. A few years ago, I would have said it's really, really bad and you hardly ever see anybody looking good. There must be some very good designers in the world.
We are having wool pulled over our eyes if we let ourselves be convinced that scientists, taken as a group, are anything special in the way of brains. They are very ordinary professional men, and all they know is their own trade, just like all other professional men. There are some geniuses among them, just as there are mental giants in any other field of endeavor.
I must confess that over my career, I've actually downplayed the importance of DJs. It's such a different art form. Then all of a sudden you try it, and you think, 'Good God, these guys do work.' I used to be very cynical and very blase about it. I can only apologize.
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