A Quote by Molly Ringwald

I never felt terribly comfortable in the public eye. — © Molly Ringwald
I never felt terribly comfortable in the public eye.
Unless you are terribly, terribly careful, you run the danger-- without even knowing it is happening to you-- of slipping into the fatal error of reflecting the public taste instead of creating it. Your responsibility is to the public consciousness, not to the public view of itself.
I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.
I was more comfortable somehow in a European Tour setting. I have never really felt comfortable in the States and therefore I have never won a 72-hole event there.
I've never felt comfortable in the spotlight. I never felt pretty enough or wanted people to look at me.
I never felt comfortable with myself, because I was never part of the majority. I always felt awkward and shy and on the outside of the momentum of my friends' lives.
Chris was very comfortable in the public eye and thrived in that kind of environment. I, less so.
Me and my mum didn't see eye-to-eye for a lot of years, and I've never really felt connected with my dad, because he wasn't there.
I never felt comfortable leaving my kids until they were older. When they were babies, I remember thinking that I could never go on a Jerry Bruckheimer set and feel comfortable.
I think when somebody's out in the public eye, that's what they do. So I'm fully comfortable with who I am, what I stand for, and what I've always stood for.
I've never been truly closeted on the air; it's just something I never really made a big deal out of because I never felt like I wanted to push an agenda or push it any further than I felt comfortable with.
Fame is not all it's cracked up to be, and I felt self-conscious in the public eye.
I don't think I've ever felt terribly comfortable writing about my body. First of all, I think I took my body for granted for so many years. I abused it a lot.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
I've never felt entirely comfortable in high society. I'm more comfortable talking to the bar staff than the super-rich. I don't really get what makes them tick.
People can judge me for what I've done. And I think when somebody's out in the public eye, that's what they do. So I'm fully comfortable with who I am, what I stand for, and what I've always stood for.
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