A Quote by Morgan Parker
I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life.
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I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life. I also try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties. Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.
I wouldn't advocate for a feminism that's buttoned-up and divorced of the messiness of our real lives. Your feelings are your feelings, but you're not going to litigate your feelings about my body. The feminist ethics that I signed up for were respect for my bodily autonomy, that my experience is my experience, and that I'm an expert in my own life.
The system [of thought] doesn't stay with the difficult problem that produces unpleasant feelings. It's conditioned somehow to move as fast as it can toward more pleasant feelings, without actually facing the thing that's making the unpleasant feeling.
My show is my statement. What I have to say is on the screen. My life is my own. I don't want to talk about my private self. Why should I?
In this context of achievement-and-death, artist who make Happenings are living out the purest melodrama. Their activity embodies the myth of nonsuccess, for Happenings cannot be sold and taken home; they can only be supported.
The programmer, who needs clarity, who must talk all day to a machine that demands declarations, hunkers down into a low-grade annoyance. It is here that the stereotype of the programmer, sitting in a dim room, growling from behind Coke cans, has its origins. The disorder of the desk, the floor; the yellow Post-It notes everywhere; the whiteboards covered with scrawl: all this is the outward manifestation of the messiness of human thought. The messiness cannot go into the program; it piles up around the programmer.
I always thought Cyrano De Bergerac was a coward. He could fight a hundred swordsmen, but he was afraid of his nose, and he was afraid of Roxanne. Jam as cowardly as anybody about facing my fears. So, you spend your you years as an artist fighting those hundred people that you happen not to fear. Then you wake up one morning and realize all this time you're afraid of your nose. That's what you're going to have to face for the rest of your life. And you don't feel very courageous. But, if you don't face it, you dry up as an artist.
Any 'artist' makes a living by expressing what others can't - because they're unaware of their feelings, they're too afraid to express those feelings, or they lack the skills to communicate and be understood.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I say Democrats should not be afraid to talk about the morality of life, of caring for children who are born. It seems the Republican obsession with being pro-life lasts about nine months. After that, it's each baby for herself.
I say Democrats should not be afraid to talk about the morality of life, of caring for children who are born. It seems the Republican obsession with being pro-life lasts about nine months. After that, it’s each baby for herself.
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
The gospel preached during every television show is 'You only go around once in life, so get all the gusto you can.' It is a statement about theology; it is a statement about beer. It's lousy beer and even worse theology.
I really value the freedom I have as a Christian that's an artist but not necessarily a Christian artist. I think it can be hard to express certain things about faith when there are a pretty specific set of expectations around what you need to talk about and how you're talking about it.
If we face our unpleasant feelings with care, affection, and nonviolence, we can transform them into a kind of energy that is healthy and has the capacity to nourish us. By the work of mindful observation, our unpleasant feelings can illuminate so much for us, offering us insight and understanding into ourselves and society.
But everybody is afraid of death; that too is contagious. Your parents are afraid of death, your neighbors are afraid of death. Small children start getting infected by this constant fear all around. Everybody is afraid of death. People don't even want to talk about death.
