A Quote by Morgan Parker

I think often if people don't have a lot of experience with a particular type of person or a particular type of brain, they can make dangerous assumptions. That's one of the reasons that I'm so interested in contradicting and troubling held thoughts about black women.
Mining is one of the most dangerous jobs out there, and it shapes and crafs a particular type of person.
My favorite thing that I'm learning, in particular, is that the type of love between an immigrant parent and their child growing up in America is a particular nuanced type of love.
I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
I'm not interested in making all-black films - I come from a very diverse culture; I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
As a society, we need to get lots more flexible about what constitutes beauty. It isn't a particular hair color or a particular body type; it's the woman who grew the hair and lives in the body. Keeping this in mind can only make things better.
A lot of people, after seeking a bit, have some experience, and sometimes will believe they're enlightened. One has to be careful about that. Especially Americans, who are very external stimulus oriented. When they have some type of deep inner experience, often they think that was the ultimate experience.
I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.
The personality and style of a photographer usually limits the type of subject with which he deals best. For example Cartier-Bresson is very interested in people and in travel; these things plus his precise feeling for geometrical relationships determine the type of pictures he takes best. What is of value is that a particular photographer sees the subject differently. A good picture must be a completely individual expression which intrigues the viewer and forces him to think.
Religion has gotten a bad rap for good reasons. Often, there are a lot of people - women, LBGT, and others - you know, hierarchical monotheism has been a real source of a type of oppression.
When we have an experience -- hearing a particular sonata, making love with a particular person, watching the sun set from a particular window of a particular room -- on successive occasions, we quickly begin to adapt to it, and the experience yields less pleasure each time. Psychologists call this habituation, economists call it declining marginal utility, and the rest of us call it marriage
I so often heard from women that they saw this beautiful fashion, but it didn't always work for them - whether it was cultural reasons, lifestyle reasons, body type reasons. So it seemed like in my mind there was a gap there, that women really wanted to be able to customize items to fit their needs and their tastes.
The years between leaving school and actually becoming an adult are very important years. You make a lot of choices as to the type of life you want to lead and what type of person you want to be. There were so many people who had opinions of me, a lot of them very unflattering, that it was hard to make up my mind about who I was supposed to be.
I'm a Type A person who doesn't want to get stuck in any one type of workout. I need a variety of things to stay interested, and that way, you make sure you get the most out of yourself.
But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment.
I think I, like a lot of people, have that type of brain where I find it interesting or fulfilling to worry about something.
I'm always sitting down and talking to people that are doing independent features. It depends on the project and the quotient of the people that are involved. There are a lot of different reasons [to do something], like a particular script that resonates with me, in a particular way. It may not so much even be about the part, but what the script has to say.
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