A Quote by Morgan Spurlock
When I experience something or feel something, that's kind of transferred to the audience. There's a lot of great breakthrough moments that come out of that.
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We all hope for breakthrough rebirth moments. When you're headed for a breakthrough moment, it's kind of scary because you say, 'If I break through then I have to make great change in my life.'
You feel the communion of the collective consciousness in that moment when you're on stage doing something and the audience is absolutely with you. And the audience becomes a collective entity as well. They come in from separate places and socio-economic backgrounds, and places across the world and days that they've had, and then they come together and they become one collective thing, and experience something in a collective way.
You get these moments of thrill. There you are, at 3:00 in the morning, and you know something about how we evolved that nobody else in the world knows. It's a thrill of discovery. You make this breakthrough, and you find something. It's this wonderful, wonderful scavenger hunt when you got to the end. It's just so great to be a scientist.
Something is missing: that's as close as I can come to naming the sensation, an awareness of missed or thwarted connections, or of a great hollowness left where something lovely and solid used to be. ...There is something fundamentally insatiable about being human, as though we come into the world with a kind of built-in tension between the experience of being hungry, which is a condition of striving and yearning, and the experience of being fed, which may offer temporary satisfaction but always gives way to new strivings, new yearnings.
In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed.
The most powerful political moments for me come when I feel like my actions are aligned with a certain truth. I can feel it. When I'm talking to a group and I'm saying something truthful, I can feel a power that comes out of those statements that is different than when I'm just being glib or clever.
The Olympics are great, but they only truly mean something when the moments that come out of them are bigger than the individual sports.
Success comes from having a fulfilling experience and being inside the moment of that experience. Success does not come in retrospect or as a recollection or even as an evaluation from others. lt's not something that you can physically hold onto or repeat at will. Only when you acknowledge the special moments can you truly feel the effects of your most wonderful achievements.
It's an experience like no other experience I can describe, the best thing that can happen to a scientist, realizing that something that has happened in his or her mind exactly corresponds to something that happens in nature. One is surprised that a construct of one's own mind can actually be realised in the honest-to-goodness world out there. A great shock, and a great, great joy.
One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.
There can be moments onstage - but sometimes in a movie, too - where you just feel you're in a golden space. You're in this strange world where everything you do makes sense. And it's funny: the audience is right in it with you, and the other actors, and you get these rare moments of feeling at one with something. You hear voices in your head.
You always feel very vulnerable when you put your work out there. You feel a kind of nakedness. And you expose something of the inner workings of the way you experience life.
But on balance, a performer wants to feel that there's something there which stands out because you put a lot of effort into it, a lot of energy and a lot of yourself into something. I feel pretty successful about some movies I've been in that have not been greeted with a lot of enthusiasm and I do trust my own criteria.
I always thought that if I made it big or got successful at what I had started out to do, that I wanted to come back to my part of the country and do something great, something that would bring a lot of jobs into this area.
I think the war movie genre is a very important genre in film. Film gives you a visceral experience of something that you would never otherwise experience. To give the audience a real feeling of what maybe a certain kind of warfare would be like I thought was great.
It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right.
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