A Quote by Morten Tyldum
I'm very tired, but this is what every filmmaker dreams about: that their $15 million, under-the-radar film is now being seen by so many people.
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I'd dressed up and hoped and I was so tired of doing that, so tired of dreaming and being unable to stop it despite the fact that I'd seen, maybe better than anyone here, what dreams could do to you.
People think coming in under the radar is like being a fighter pilot and actually coming in under the radar. It's a completely ridiculous idea to come in under the radar. It's the Olympics; everyone is on the radar here.
For me, whether or not a film has some kind of massive budget or is an independent film, or however it's getting made, it's always about the filmmaker and, hopefully, being a vessel for the filmmaker's vision. That's what really attracts me to projects.
Well, we're about 24 million subscribers today, and that's up from about 15 million a year ago, so it's a very high rate of growth, and that's what's exciting about the business - more and more people are getting smart TVs, they're watching Netflix on their iPads.
As a filmmaker I have changed, yes. I seem to have crossed a line and that journey, trajectory change is more apparent. I'd say, what changed dramatically in me as a filmmaker is the fact that now, it is about why am I making the film, what is this supposed to mean to people. Earlier, it was more about entertaining or engaging them.
I think people are tired of politics as usual. We're tired of everything being scripted; we're tired of every comment being politically correct.
I'm tired of making people sad and I'm tired of disappointing them and I'm tired of seeing them break. I have seen this too many times. He will be the last.
When I'm writing film music, I feel like I'm more a filmmaker than a composer. It's more about what the film needs. I'm basically part of the team that's creating a film, and the music is a very important part, but it's just one part of many.
Now a movie with 30 million returns would be something very incredible and the producer can only get 10 to 15 million. This is only 100 thousands US dollars. This is not enough!
Being tied down to a pre-med or engineering track would have slotted me into a very narrow group. Being a young filmmaker allowed me to explore many areas of life and many kinds of people.
There were very, very large sums of money that I made when I was very young - 15 million published works and a great many successful movies don't make nothin'.
Nobody in Britain has voted for 4 million people to come here in the last 15 years, and for probably another 3 million to come between now and 2020.
Whenever you have a few setbacks, the idea that half as many children are dying now as back in 1990 and so... it was over 12 million a year, now it's less than 6 million a year. We have a clear path to get that under 3 million a year and we know what to do. And this generation of young Africans is a very large group.
I am tired of the warmakers making war with our children. I am tired of our tired troops being sent over to do the dirty work for mob bosses who are going to squeeze the life out of Iraq and not leave until every asset and every natural resource has been raped from the country. I am tired of seeing Iraqis burying their loved ones and hearing the reverberating screams of mothers all over our country who are being destroyed for the benefit of a very few.
The very first idea I ever had about making a film... my first thought about ever being a filmmaker was when I was sixteen years old and I wanted to make a Viking movie. And I wanted to make it in old Norse, which I was studying at the time. It's odd because at that age that's a stupidly ridiculous idea 'cause how will I ever be a filmmaker.
If you're going to make a film about rage in 2018, 2017... If you're going to make a film about revenge and anger, I feel like that has to be a film about women. I don't really want to watch a film about angry men. I've seen way too many of those.
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