A Quote by Morten Tyldum
It's not every actor that can play a genius.
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Genius is play, and man's capacity for achieving genius is infinite, and many may achieve genius only through play.
When you're in a play, 50 percent is the genius of the actor, 50 percent is the genius of the author. When a mime is not perfect, you see nothing.
Of course, every actor has their box and you have to respect and play for it, but I do love challenging myself. I love every role to be new, and I always like to bring a freshness to every character I play.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
I have a friend who is very successful in business, and his motto is, 'Don't do what you can do. Do what only you can do.' First of all, you have to know what your specific, unique gift is and then you do that... every actor does that but every once in a while an actor plays a part that only they can play.
[J.F.Kennedy] is an iconic figure. And to make it even worse, he's a hero of mine. And every actor will tell you that you can't play heroes. And you can't play villains. You can only play human beings.
I think every actor wants to play those big parts. In the very first play I ever did, I remember understanding all the characters in it. I always felt I could play anyone.
I'm the kind of actor who truly believes that every play is a company play.
I think it's every actor's dream to play a character that's really odd, and you know no one wants to play himself.
I think as an actor it's always a challenge to experiment and play something that you're not. What's the point if I play Shefali in every film?
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. The genius is a man who knows everything without having learned it.
I admire actors that consistently challenge themselves and play a wide range of different roles. Every actor has a reason for being an actor... it's boring to play the same person over and over again. People like Daniel Day Lewis, who completely transform time and time again, I look up to.
All of us play different roles in our chosen career. I play the role of an actor. But I realised I am also an actor apart from various roles I play in my personal life.
Martin Freeman is a genius, he really is. He gives you every color of the rainbow in every take and it's wonderful just to play off of him and opposite him.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
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