A Quote by Morten Tyldum

Our film society back home is so different from here. Making a movie is universal. Directing a movie is universal; it's a universal language. It's just figuring things out and understanding the codes and how the system of Hollywood compares to that of Norway. We don't even have agents. There's no studio system, no managers.
Making a movie is universal. Directing a movie is universal; it's a universal language.
Politics is different than movies. Politics are controlled by leaders. Leaders of every country have different interests. And they try to explain to their people why they should take one side or the other side. But in the movie its doing the opposite. It allows you to have a Universal Experience. You don't watch it as politics but as a movie. You don't have different reactions all over. It's so universal a language. It's not a political language serving a political agenda. The language of cinema is a world language. With the Hollywood movie, it brings about the same reaction wherever it goes.
In addition to its use in arithmetic and science, the Hindu-Arabic number system is the only genuinely universal language on Earth, apart perhaps for the Windows operating system, which has achieved the near universal adoption of a conceptually and technologically poor product by the sheer force of market dominance.
I don't know when the last time was that Steven Spielberg or George Lucas made a movie with Universal, but I can tell you that Universal is leading the charge. They're looking at film differently. They're planning ahead in a way that I've never seen a studio do before. They're believing in a relationship between fan and film franchise, in a new way. They're more receptive to an audience, in part because of social media, in a way we've never been allowed.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
If the world is an aggregate of relatively independent regions, then any assumption of universal laws is false and a demand for universal norms tyrannical: only brute force (or seductive deception) can then bend the different moralities so that they fit the prescriptions of a single ethical system. And indeed, the idea of universal laws of nature and society arose in connection with a life-and-death battle: the battle that gave Zeus the power over the Titans and all other gods and thus turned his laws into the laws of the universe.
Obama, Bloomberg and nearly every politician and gun-ban zealot pushing for a universal background check system are on record supporting mandatory gun registration, outright bans and even confiscation. To them, 'universal background checks' are just the first step in their long march to destroying our Second Amendment-protected rights.
I think we should have a universal, a shared cultural or societal goal, of universal health insurance coverage. That's completely different from saying the government can solve all of those problems, or that it can micromanage every aspect of the health delivery system. I think we know that it can't do that.
In fact, by universal grammar I mean just that system of principles and structures that are the prerequisites for acquisition of language, and to which every language necessarily conforms.
What are the sciences but maps of universal laws, and universal laws but the channels of universal power; and universal power but the outgoings of a universal mind?
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.
The subjectivization of the universal in art brings the universal downward on one hand, while on the other it helps raise the individual toward the universal.
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.
The task of universal pragmatics is to identify and reconstruct universal conditions of possible mutual understanding.
Well, 'Terminator', it's just such an iconic movie in movie history. It's universal. I think it's part of the pop culture of the world.
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